14 love poems leading up to Valentine’s Day

For the next 14 days I shall be attempting to write and post a love poem every day.

Nowadays romance is often cheesy or commercialised. Or in Hollywood romcoms. Who writes handwritten love letters anymore? Maybe the odd card is sent? Where is Cupid? And where are his arrows?

Through all the recent hardships of covid and war, love may have gone lost a little. So I’m going to try and give love a little boost to hopefully get you in the spirit…

Love is in the air! Can you feel it? ♥️
Stay tuned…

Potatoes she peeled: a poem for my nanna

where to begin
maybe with the small cracks
in her skin
every afternoon
and again soon
she sat down
in a kitchen
basket on her lap
whilst you heard
the water
dripping from the tap
she peeled potatoes
part of her daily chores
that earthy fragrance
ingrained in her pores
taking out the pits
with a tiny knife
the homely joys
she thought
of her daily life

Deepression

I stare
from within
the shadows
looking
for the light
but I fear
I can’t win
this everlasting fight

darkness
has surrounded me
and embroiled me
in sorrow
I shall have faith
yet I hope
I shan’t wake
tomorrow

~ photo Roberto de Mitri

Featuring: Ricky Gervais

Today I’m featuring a comedian who is funny, daft, sensitive and deadly honest. I love this man as he always searches for truths and can turn sadness into laughter. He is a realist and makes many of us aware of our human emotions, all in good spirit.

Ricky Dene Gervais (1961) is an English comedian, actor, director, and writer. He is best known for co-creating, co-writing, and acting in the British television mockumentary sitcom The Office (2001–2003). He has won seven BAFTA Awards, five British Comedy Awards, two Emmy Awards, three Golden Globe Awards, and the Rose d’Or twice (2006 and 2019), and has been nominated for a Screen Actors Guild Award. In 2007, he was placed at No. 11 on Channel 4’s 100 Greatest Stand-Ups, and at No. 3 in their 2010 list. In 2010, he was included in the Time 100 list of World’s Most Influential People.

Gervais initially worked in the music industry. He attempted a career as a pop star in the 1980s as the singer of the new-wave act Seona Dancing, and managed the then-unknown band Suede before turning to comedy. He appeared on The 11 O’Clock Show on Channel 4 between 1998 and 2000, garnering a reputation as an outspoken and sharp-witted social provocateur. In 2000, he was given a Channel 4 spoof talk show, Meet Ricky Gervais. He achieved greater mainstream fame the following year with his BBC television mock documentary series The Office, followed by Extras in 2005, both of which he co-wrote and co-directed with Stephen Merchant, and in which he played the lead roles of David Brent (The Office) and Andy Millman (Extras). He starred in the 2016 comedy film David Brent: Life on the Road, which he also wrote and directed.

Gervais began his stand-up career in the late 1990s. He has performed five multinational stand-up comedy tours, and he wrote the Flanimals book series. Gervais, Merchant, and Karl Pilkington created the podcast The Ricky Gervais Show, which has spawned various spin-offs starring Pilkington and produced by Gervais and Merchant. Gervais has also starred in the Hollywood films Ghost Town, the Night at the Museum trilogy, For Your Consideration, and Muppets Most Wanted. He wrote, directed, and starred in The Invention of Lying and the Netflix-released Special Correspondents. He hosted the Golden Globe Awards in 2010, 2011, 2012, 2016, and again in 2020. Gervais also appeared on the game show Child Support. He is also the creator, executive producer, director, and writer of the Netflix comedy series After Life, where he plays the lead role of Tony Johnson.

Gervais attended Whitley Park Infants and Junior Schools and received his secondary education at Ashmead Comprehensive School. After a gap year which he spent working as a gardener at the University of Reading, he attended University College London (UCL) in 1980. He intended to study biology but changed to philosophy after two weeks, and was awarded an upper second-class honours degree in the subject from University of London in 1983. During his time there, he met Jane Fallon, with whom he has been in a relationship since 1982.

In 1983, during his final year as a student at University College London, Gervais and his best friend Bill Macrae formed the new wave pop duo Seona Dancing. They were signed by London Records, which released two of their singles—”More to Lose” and “Bitter Heart”. The songs failed to make the UK Singles Chart. Despite not being successful in the UK, Seona Dancing did manage to score a hit in the Philippines with “More to Lose”. Gervais also worked as the manager for Suede before they became successful in the 1990s.

In 2013, Gervais performed a live tour as David Brent along with his band Foregone Conclusion, Brent’s fictional band in The Office. He and the band performed songs written under the Brent character, including “Equality Street” and “Free Love Freeway”. Gervais also produced a series of YouTube videos, ‘Learn Guitar with David Brent’, featuring acoustic guitar versions of nine songs.

In 2016, as part of the Life on the Road film promotion, Gervais published the David Brent Songbook of 15 songs, which he also recorded for the album Life on the Road as David Brent and Foregone Conclusion.

After the first series of The Office, Gervais and Merchant worked at Xfm in November 2001 for a Saturday radio show, where they began working with Karl Pilkington, who produced the shows and later collaborated with them on their series of podcasts. In October 2017, Gervais began hosting the weekly radio show Ricky Gervais Is Deadly Sirius on Sirius XM, which ran until 2019.

Ricky also did some podcasting featuring Gervais, Merchant, and Karl Pilkington. Throughout January and February 2006 the podcast was consistently ranked the number 1 podcast in the world. It appeared in the 2007 edition of the Guinness Book of World Records as the world’s most-downloaded podcast, with an average 261,670 downloads per episode during its first month. Two more series, each with six podcasts, were released between February and September 2006.

In late 2006, three more free podcasts were released. Together called “The Podfather Trilogy”, they debuted individually at Halloween, Thanksgiving and Christmas.These three were known by Gervais and Merchant as “The Fourth Season”. In October 2007 another free full-length podcast was released through iTunes, after being originally given out for free during a performance of Gervais’s Fame stand-up tour in London. On 25 November 2007 Gervais, Merchant and Pilkington released another free podcast of just over one hour.

In August 2008, Gervais, Merchant and Pilkington recorded their fifth series of audiobooks, totalling four chapters, which were released on 16 September 2008, and described as the ‘Guide To…’ series. As of May 2011, there are 12 ‘Guides’ to Medicine, Natural History, Arts, Philosophy, The English, Society, Law & Order, The Future, The Human Body, The Earth, The World Cup 2010, and Comic Relief. The conversations typically begin on topic and go out on tangents about other subjects.

In 2021, Gervais launched a paid-for audio series, Absolutely Mental, of his conversations with philosopher Sam Harris. Season 2 was also launched in 2021, followed by season 3 in March 2022.

Initially Gervais was most famous for the series The Office. The Office started when Stephen Merchant had to make his own short film while on a BBC production course. In August 1999 he made a docu-soap parody, set in an office, with help from Ash Atalla who was shown a 7-minute video called ‘The Seedy Boss’. Thus the character of David Brent was created. Merchant passed this tape on to the BBC’s Head of Entertainment Paul Jackson at the Edinburgh Fringe, who then passed it on to Head of Comedy Jon Plowman, who eventually commissioned a full-pilot script from Merchant and Gervais.

The first six-episode series of The Office aired in the UK in July and August 2001 to little fanfare or attention. Word-of-mouth, repeats, and DVDs helped spread the word, building up momentum and anticipation for the second series, also comprising six episodes. Following the success of The Office’s second series, Gervais was named the most powerful person in TV comedy by Radio Times.

In 2004, The Office won the Golden Globe Award for Best Television Series – Musical or Comedy as well as Best Actor – Television Series Musical or Comedy for Gervais, who said in a 2015 BBC interview that the award was the gateway to America for him.

The Office brand has since been remade for audiences in Sweden, France, Germany, Quebec, Brazil, Chile, The Czech Republic, Finland, India, Israel, Poland and the United States. Gervais and Merchant are producers of the American version, and they also co-wrote the episode “The Convict” for the show’s third season. Gervais has said that the episode “Training” is his favourite, where Brent plays his guitar and sings. In 2021, on the show’s 20th anniversary, he suggested the show would not have been produced in 2021 due to cancel culture: “I mean, now it would be cancelled. I’m looking forward to when they pick out one thing and try to cancel it. Someone said they might try to cancel it one day, and I say, ‘Good let them cancel it—I’ve been paid!’

Ricky also starred in a series called Extras. Extras had its debut on the BBC on 21 July 2005 and was directed by Ricky Gervais and Stephen Merchant. The sitcom ran for twelve episodes and starred Gervais as Andy Millman, a background artist. Millman is more self-aware and intentionally humorous than Gervais’s The Office character David Brent. Guest stars on the first series of Extras include Ross Kemp, Les Dennis, Patrick Stewart, Vinnie Jones, Samuel L. Jackson, Ben Stiller, Kate Winslet and Francesca Martinez. A second series began on 14 September 2006 in the UK and featured appearances by Daniel Radcliffe, Dame Diana Rigg, Orlando Bloom, Sir Ian McKellen, Chris Martin, Keith Chegwin, Robert Lindsay, Warwick Davis, Ronnie Corbett, Stephen Fry, Richard Briers, Patricia Potter, Sophia Myles, Moira Stuart, David Bowie, Robert De Niro and Jonathan Ross.

A Rolling Stone article remarks that in making Extras, Gervais was influenced by Larry David’s Curb Your Enthusiasm, particularly in the format of celebrities making fools of themselves or subverting their public personas. I might like to add that Gervais don’t shy away from a good old ‘roast’, something that some comedians do, like Don Rickles, when they take the piss out of another celebrity just for fun.

In 2007, Gervais won the Primetime Emmy Award for Outstanding Lead Actor in a Comedy Series for his portrayal of Andy Millman in the second series of Extras. As Gervais was not present at the awards ceremony, the trophy was accepted on his behalf by Steve Carell, the actor who starred as regional manager Michael Scott—the counterpart to Gervais’s David Brent—on the American adaptation of The Office.

The Ricky Gervais Show is an animated TV show that debuted on US cable network HBO on 19 February 2010. In the UK, the first series began airing on 23 April 2010 on Channel 4. The show was developed using original podcast recordings from The Ricky Gervais Show starring Gervais, Stephen Merchant, and Karl Pilkington. After receiving an enthusiastic following in the US, HBO recommissioned the show for a second series, which aired in 2011, and a third series which started airing in April 2012.

Life’s Too Short began airing on BBC Two on 10 November 2011.Gervais and Stephen Merchant wrote this sitcom from an idea by Warwick Davis. It is described by Gervais as being about “the life of a showbiz dwarf” and as “a cross between Extras and The Office”. The show stars actor Davis playing a fictionalised version of himself, as well as Gervais and Merchant. Premium cable channel HBO, which co-produced the series with the BBC, had the US rights and began airing the series on 19 February 2012.

Another of creations was a show called An Idiot Abroad, a travel documentary where a reluctant Karl Pilkington travels around the world, with his reactions to people and places recorded. Occasionally, Gervais and Merchant call to surprise him with a new place to visit or task to do. Pilkington reports back mostly complaining about the situation. Gervais says there is no planning; a camera crew follows his friend around filming for many hours, which Gervais edits down to an hour each episode.

Two series and a Christmas special have aired; series one involves Pilkington visiting the Seven Wonders of the World. In the second show he chooses to complete tasks from a bucket list provided by Gervais and in the special Warwick Davis joins Pilkington on a journey following Marco Polo’s route from Italy to China.

In November 2011, Gervais filmed in London a 35-minute pilot episode for a potential comedy-drama series called Derek, which aired on Channel 4 on 12 April 2012.The pilot is solely written and directed by Gervais and features him in the title role of Derek Noakes, a 49-year-old retirement home worker, who “loves animals, Rolf Harris, Jesus, Deal or No Deal, Million Pound Drop, and Britain’s Got Talent.” The character first appeared in a 2001 Edinburgh Festival Fringe sketch as an aspiring comedian who loves animals and still lives with his mother. Gervais’s co-host Karl Pilkington makes his acting debut as Derek’s friend and facilities-caretaker Dougie who also works in the retirement home. British comedian Kerry Godliman plays Derek’s best friend Hannah and David Earl plays Kev.

Gervais said that the series is about “kindness [being] more important than anything else”. He added “It’s about the forgotten—everyone’s forgotten. It’s all these arbitrary people who didn’t know each other, and they’re in there now because they’re in the last years of their life. And it’s about the people who help them, who themselves are losers and have their own problems. It’s about a bunch of people with nothing, but making the most of it, and they’re together.” He chose to set the sitcom in a retirement home after he watched Secret Millionaire—”It was always these people with huge problems who were helping other people. I thought about having Derek help old people because no one cares about old people in this country … I think it’s perfect for now.”

On 9 May 2018, it was announced that Netflix had given a production order for the first season of the comedy drama After Life. It was created and directed by Gervais, who also starred in it and executive-produced it with Duncan Hayes, with Charlie Hanson as producer; the series premiered on 8 March 2019.On 3 April 2019, Netflix renewed the series for a second season, which launched on 24 April 2020.In May 2020 it was announced that Gervais had signed a new deal with Netflix, including a third season of After Life. Before the announcement Gervais said, “For the first time ever, I would do a series three, because the world’s so rich. I love the characters, I love all the actors in it, I love my character, I love the town, I love the themes… I love the dog!”

Gervais began his stand-up career in the late 1990s. His first successful show was at the Cafe Royal as part of the 2001 Edinburgh Festival Fringe. Titled Rubbernecker, it also featured Jimmy Carr, Robin Ince and Stephen Merchant.

Gervais toured the UK in 2003 with his stand-up show Animals. The Politics tour followed a year later. Both shows were recorded for release on DVD and television broadcast. The third part of the themed live trilogy, Fame, took place in 2007. It started in Glasgow in January and ended in Sheffield in April. Blackpool reported selling out of tickets within 45 minutes of them going on sale.

Ricky Gervais also does stand-up comedy, animation, he writes children’s books and is often a guest on talk shows and sometimes hosts the Golden Globe Awards, etc.

Gervais’s film career has included small roles as the voice of a pigeon, Bugsy, in 2005’s Valiant, as a studio executive in 2006’s For Your Consideration,as museum director Dr. McPhee in 2006’s Night at the Museum and its sequels Night at the Museum: Battle of the Smithsonian and Night at the Museum: Secret of the Tomb, and as “Ferdy the Fence” in the 2007 film Stardust.

Gervais starred in Ghost Town (2008) as a dentist who sees spirits, and was in Lowell, Massachusetts during May 2008 filming his next project, The Invention of Lying (2009), in which he starred alongside Jennifer Garner, Rob Lowe and Louis C.K.. The social comedy was co-written and co-directed by Gervais and Matt Robinson.

Gervais directed and starred in, Special Correspondents, which began filming in May 2015. The comedy stars Eric Bana as a journalist and Gervais as his assistant. They pretend to report news from a war torn country but in actuality they are safe in New York. The film was released on Netflix. Gervais directed and starred in the 2016 film David Brent: Life on the Road, a mockumentary following David Brent, a character first seen in The Office series, as he lives his dream of being a rockstar. On 5 November 2015 Gervais signed up to play Ika Chu, a villainous cat, in an animated film Paws of Fury: The Legend of Hank, originally known as Blazing Samurai. The movie is about a dog (Hank) played by Michael Cera, who wants to be a warrior and fights with Ika Chu for the town of Kakamucho.

Gervais has homes in Hampstead, London, and Marlow, Buckinghamshire. He also has an apartment in the Barbizon 63 building in New York City. He has been in a relationship with producer and author Jane Fallon since 1982, and says they chose not to marry because “there’s no point in us having an actual ceremony before the eyes of God because there is no God” or have children because they “didn’t fancy dedicating 16 years of [their] lives … and there are too many children, of course”.

He is a vegan, an atheist and a humanist, and states that he abandoned religion at the age of eight. In December 2010, he wrote an op-ed for The Wall Street Journal defending his atheism. He is an honorary associate of the UK’s National Secular Society and a patron of Humanists UK, a British charity that promotes the humanist worldview and campaigns for a secular state and on human rights issues. On 3 September 2019, he received the 2019 Richard Dawkins Award, which recognises people who proclaim “the values of secularism and rationalism, upholding scientific truths wherever it may lead.” Gervais received the award during a Centre for Inquiry-sponsored ceremony at London’s Troxy Theatre. Dawkins praised Gervais as a “witty hero of atheism and reason.”

Gervais is a fan of the UFC and Reading F.C. He is a music fan and has stated that his hero is David Bowie, with his favourite song being “Letter to Hermione”. He has also stated that his first experience of a live music gig was watching Iggy Pop. In 2013, he wrote that Lou Reed was “one of the greatest artists of our time” following Reed’s death.

Gervais is a fervent supporter of gay rights and has praised the introduction of same-sex marriage in England and Wales as “a victory for all of us”, saying “anything that promotes equality, promotes progress … You can’t take equality ‘too far’.”

Gervais joined Twitter in December 2009 when he first hosted the 66th Golden Globes. After a two-year hiatus, he returned to the platform in September 2011.In 2012, Gervais won a Shorty Award for Lifetime Achievement for his popular presence on social media. As of April 2022 he was followed by 14.7 million fans whom he calls ‘Twonks’.

Gervais uses social media to promote his work to his fans. After ten years he brought back his character Brent on his YouTube channel in a web series Learn Guitar with David Brent. He uses many ways to promote his new series, for example for Derek, he posts contests or questions for his fans.

Gervais uses social media to raise awareness of animal welfare. He tweets links to petitions to rescue animals from captivity, he highlights the plight of animals being used for testing, and he encourages people to adopt dogs instead of buying them from breeders. He won the Genesis Award from the Humane Society in March 2015 for his contribution to raising awareness for animal welfare on social media. In 2014, he was named most influential London Twitter user.

Gervais has cited Laurel & Hardy, Groucho Marx, Peter Cook, and Christopher Guest as significant influences.

Gervais is a supporter of animal rights and has stated that he will leave his fortune to animal charities. Gervais named an Asian black bear, also known as a moonbear, Derek after the protagonist from his series Derek. In December 2013, Gervais bought a $1000 cake shaped like a moonbear to raise funds for Animal Asia. Gervais is active in the prevention of illegal wildlife trade; he supported the handing over of ivory trinkets to the Metropolitan police in London.

In 2015, Gervais donated a signed acoustic guitar to help raise funds for Story Book Farm Primate Sanctuary in Ontario, Canada, with a special call-out to Pockets Warhol. The guitar which was signed by Gervais was purchased by Danny Young from the United Kingdom who has since had the guitar signed by several celebrities in order to raise further funds for the Story Book Farm Primate Sanctuary. Celebrities who signed the guitar include: Brian May, Will Ferrell, Bryan Cranston, Dhani Harrison, Peter Frampton, Ricky Warwick, and Steve Cutts.

In 2017, Gervais was awarded the Lord Houghton Award for Service to Animal Welfare from Animal Defenders International Gervais was also awarded the Humane Society International Cecil Award in 2018 for his frequent social media efforts to end trophy hunting.

Check him out (or not):

Sources: Wikipedia, YouTube, interweb, poetpas

Penelope

I watch the glistening stars
waiting for thy presence
thy brown eyes
a pulse through the universe
bound
connected
to ne’r be smothered
infinitely
Penelope

be mine

Distraught

distraught
I was
I fought
my thoughts
my memories
of disagrees
worries
of fees
and foes
I suppose
I took
my time
and drank
some wine
emptied bottles
emptying me
distraught
I fought
I won
and now
I’m free

Mrs Khan

Mrs Khan
had a nasty man
who hit her hard
with a frying pan

he made her weep
and make her sleep
outside with the mice
in a garbage can

she ran away
to the USA
moved to a town
it was called Bomb Bay

there she met
her soulmate me
who made her smile
and feel happy

A courtyard of stone

an old man
playing a violin
devotes
his melancholy notes
to the sun
a blue sky
and a few birds
passing by
whilst forgotten chansons
echo off the walls
of shut shops
beneath a plane tree
almost alone
he brings tears
and joy
to a courtyard of stone

Women

perfect
creations
of a creative
god
creating
precious
pure
emotional
curvy
beings
shining
light
perpetually
yet sometimes
a tad whiny
perhaps regretfully

Stride

regarding my eventful stride
in the garden of perception
I ponder
and wonder
how I ended up
down yonder
believing fate
would caress my inner
conspicuous alteration
of thoughtful contemplation
that opens
and shuts shutters
of my ever vivid imagination

You need hands

You need hands to hold someone you care for
You need hands to show that you’re sincere
When you fear nobody wants to know you
You need hands to brush away the tears

When you hold the brand new baby
You need tender hands to guide them on their way
You need hands to thank the Lord for living
And forgiving us this day

You need hands to show the world you’re happy
And you need hands when you have to stop the bus
But the hands we love so dear
Are the hands we love to hear

Are the hands that You give to us
Everybody holds the hands that You give to us
Hold on, I don’t believe it, fantastic, that’s so wonderful

~Malcolm McLarren – Sex Pistols

Proud to hold your hand

through all the parks
and fields
along the hedges
defining hills
on countless paths
over bridges
of creeks with ditches
smelling spring flowers
for hours and hours
I squeeze
you smile
and understand
that I’m in love
with you
and proud
to hold your hand

Cotton candy

cotton candy
cotton candy
when I see you
I feel mighty dandy

you’re colorful
and bright
I dream of you
day and night

cotton candy
you’re so sweet
it is you
I want to eat

I am elated

I laugh
I smile
every day
and enjoy
all the while
the funny moments
as they are
there
for the takin’
when I open
my eyes
awaken
to see
that
laughter
was made
‘n created
especially
for me

I am elated…

Ripped

ripped
from the start
my heart
was torn apart

when I saw you
in my dreams
unreachable
and far

the perfect you
just vanished,
gone forever,
like a falling star

Featuring: Andy Kaufman

I came across this remarkable odd and funny character Latka Gravas whilst watching one of my favorite American comedy shows Taxi in the 80ties. Not until much later I realized he wasn’t just some oddball actor. Later I realized he had subconsciously affected me in the sense that being weird is ok. I recommend you watch Man on the Moon, a movie starring Jim Carrey (who else) which is a great and accurate version of Andy Kaufman. Such a shame he died at such an early age…

Andrew Geoffrey Kaufman (January 17, 1949 – May 16, 1984) was an American comedian, entertainer, actor, wrestler, and performance artist. While often called a comedian, Kaufman described himself instead as a “song and dance man”. He has sometimes been called an “anti-comedian”. He disdained telling jokes and engaging in comedy as it was traditionally understood, once saying in a rare introspective interview, “I am not a comic, I have never told a joke. … The comedian’s promise is that he will go out there and make you laugh with him… My only promise is that I will try to entertain you as best I can.”
After working in small comedy clubs in the early 1970s, Kaufman came to the attention of a wider audience in 1975, when he was invited to perform portions of his act on the first season of Saturday Night Live. His Foreign Man character was the basis of his performance as Latka Gravas on the hit television show Taxi from 1978 until 1983. During this time, he continued to tour comedy clubs and theaters in a series of unique performance art / comedy shows, sometimes appearing as himself and sometimes as obnoxiously rude lounge singer Tony Clifton. He was also a frequent guest on sketch comedy and late-night talk shows, particularly Late Night with David Letterman. In 1982, Kaufman brought his professional wrestling villain act to Letterman’s show by way of a staged encounter with Jerry “The King” Lawler of the Continental Wrestling Association.
Kaufman died of lung cancer in 1984, at the age of 35. Because pranks and elaborate ruses were major elements of his career, persistent rumors have circulated that Kaufman faked his own death as a grand hoax. He continues to be respected for the variety of his characters, his uniquely counterintuitive approach to comedy, and his willingness to provoke negative and confused reactions from audiences.

Kaufman was born on January 17, 1949, in New York City, the oldest of three children. Andy, along with his younger brother Michael and sister Carol, grew up in a middle-class Jewish family in Great Neck, Long Island. He began performing at children’s birthday parties at age 9, playing records and showing cartoons. Kaufman spent much of his youth writing poetry and stories, including an unpublished novel, The Hollering Mangoo, which he completed at age 16. Following a visit to his school from Nigerian musician Babatunde Olatunji, Kaufman began playing the congas.
After graduating from Great Neck North High School in 1967, Kaufman took a year off before enrolling at the now defunct two-year Grahm Junior College in Boston, where he studied television production and starred in his own campus television show, Uncle Andy’s Fun House. In August 1969, he hitchhiked to Las Vegas to meet Elvis Presley, showing up unannounced at the International Hotel. Soon after, he began performing at coffee houses and developing his act, as well as writing a one-man play, Gosh (later renamed God and published in 2000). After graduating in 1971, he began performing stand-up comedy at various small clubs on the East Coast.

Kaufman first received major attention for his character Foreign Man, who spoke in a meek, high-pitched, heavy-accented voice and claimed to be from “Caspiar”, a fictional island in the Caspian Sea. It was as this character that Kaufman convinced the owner of the famed New York City comedy club The Improv, Budd Friedman, to allow him to perform on stage.
As Foreign Man, Kaufman would appear on the stage of comedy clubs, play a recording of the theme from the Mighty Mouse cartoon show while standing perfectly still, and lip-sync only the line “Here I come to save the day” with great enthusiasm. He would proceed to tell a few (purposely poor) jokes and conclude his act with a series of celebrity impersonations, with the comedy arising from the character’s obvious ineptitude at impersonation. For example, in his fake accent Kaufman would say to the audience, “I would like to imitate Meester Carter, de president of de United States” and then, in exactly the same voice, say “Hello, I am Meester Carter, de president of de United States. T’ank you veddy much.” At some point in the performance, usually when the audience was conditioned to Foreign Man’s inability to perform a single convincing impression, Foreign Man would announce, “And now I would like to imitate the Elvis Presley,” turn around, take off his jacket, slick his hair back, and launch into a rousing, hip-shaking rendition of Presley singing one of his hit songs. Like Presley, he would take off his leather jacket during the song and throw it into the audience, but unlike Presley, Foreign Man would immediately ask for it to be returned. After the song’s finale, he would take a simple bow and say in his Foreign Man voice, “T’ank you veddy much.”

Kaufman first used his Foreign Man character in nightclubs in the early 1970s, often to tell jokes incorrectly and do weak imitations of famous people before bursting into his Elvis Presley imitation. The character was then changed into Latka Gravas for ABC’s sitcom Taxi, appearing in 79 of 114 episodes in 1978–83. Bob Zmuda confirms this: “They basically were buying Andy’s Foreign Man character for the Taxi character Latka.” Kaufman’s longtime manager George Shapiro encouraged him to take the gig. Kaufman disliked sitcoms and was not happy with the idea of being in one, but Shapiro convinced him that it would quickly lead to stardom, which would earn him money he could then put into his own act. Kaufman agreed to appear in 14 episodes per season, and initially wanted four for Kaufman’s alter ego Tony Clifton. After Kaufman deliberately sabotaged Clifton’s appearance on the show, however, that part of his contract was dropped. His character was given multiple personality disorder, which allowed Kaufman to randomly portray other characters. In one episode of Taxi, Kaufman’s character came down with a condition that made him act like Alex Rieger, the main character played by Judd Hirsch. Another such recurring character played by Kaufman was the womanizing Vic Ferrari.
Sam Simon, who early in his career was a writer and later showrunner for Taxi, stated in a 2013 interview on Marc Maron’s WTF podcast that the story of Kaufman having been generally disruptive on the show was “a complete fiction” largely created by Zmuda. Simon maintained that Zmuda has a vested interest in promoting an out-of-control image of Kaufman. In the interview Simon stated that Kaufman was “completely professional” and that he “told you Tony Clifton was him”, but he also conceded that Kaufman would have “loved” Zmuda’s version of events.
Kaufman was nominated for the Golden Globe Award for Best Supporting Actor in a Series, Limited Series, or Motion Picture Made for Television for Taxi in 1979 and 1981.

Another well-known Kaufman character is Tony Clifton, an absurd, audience-abusing lounge singer who began opening for Kaufman at comedy clubs and eventually even performed concerts on his own around the country. Sometimes it was Kaufman performing as Clifton, sometimes it was his brother Michael or Zmuda. For a brief time, it was unclear to some that Clifton was not a real person. News programs interviewed Clifton as Kaufman’s opening act, with the mood turning ugly whenever Kaufman’s name came up. Kaufman, Clifton insisted, was attempting to ruin Clifton’s “good name” in order to make money and become famous.
As a requirement for Kaufman’s accepting the offer to star on Taxi, he insisted that Clifton be hired for a guest role on the show as if he were a real person, not a character. After throwing a tantrum on the set, Clifton was fired and escorted from the studio lot by security guards. Much to Kaufman’s delight, this incident was reported in the local newspapers.

At the beginning of an April 1979 performance at New York’s Carnegie Hall, Kaufman invited his “grandmother” to watch the show from a chair he had placed at the side of the stage. At the end of the show, she stood up, took her mask off and revealed to the audience that she was actually comedian Robin Williams in disguise.
Kaufman also had an elderly woman (Eleanor Cody Gould) pretend to have a heart attack and die on stage, at which point he reappeared on stage wearing a Native American headdress and performed a dance over her body, “reviving” her.
The performance is most famous for Kaufman’s ending the show by taking the entire audience, in 24 buses, out for milk and cookies. He invited anyone interested to meet him on the Staten Island Ferry the next morning, where the show continued.

The Taxi deal with ABC included giving Kaufman a television special/pilot. He came up with Andy’s Funhouse, based on an old routine he had developed while in junior college. The special was taped in 1977 but did not air until August 1979. It featured most of Andy’s famous gags, including Foreign Man/Latka and his Elvis Presley impersonation, as well as a host of unique segments. There was also a segment that included fake television screen static as part of the gag, which ABC executives were not comfortable with, fearing that viewers would mistake the static for broadcast problems and would change the channel—which was the comic element Kaufman wanted to present.[38] Andy’s Funhouse was written by Kaufman, Zmuda, and Mel Sherer, with music by Kaufman.

In 1981, Kaufman made three appearances on Fridays, a variety show on ABC that was similar to Saturday Night Live. In his first appearance, during a sketch about four people out on a dinner date who excuse themselves to the restroom to smoke marijuana, Kaufman broke character and refused to say his lines.
In response, cast member Michael Richards walked off camera and returned with a set of cue cards and dumped them on the table in front of Kaufman, who responded by splashing Richards with water. Co-producer Jack Burns stormed onto the stage, leading to a brawl on camera before the show abruptly cut away to a commercial.
Richards has claimed that this incident was a staged practical joke that was known only to him, associate producer Burns, and Kaufman, but Melanie Chartoff, who played Kaufman’s wife in the sketch, has stated that, just before airtime, Burns told her, Maryedith Burrell, and Richards that Kaufman was going to break the fourth wall.
Kaufman appeared the following week in a videotaped apology to the home viewers. Later that year, Kaufman returned to host Fridays. At one point in the show, he invited a Lawrence Welk Show gospel and standards singer, Kathie Sullivan, on stage to sing a few gospel songs with him and announced that the two were engaged to be married, then talked to the audience about his newfound faith in Jesus (Kaufman was Jewish). That was also a hoax. Later, following a sketch about a drug-abusing pharmacist, Kaufman was supposed to introduce the band The Pretenders. Instead of introducing the band, he delivered a nervous speech about the harmfulness of drugs, while the band stood behind him ready to play. After his speech, he informed the audience that he had talked for too long and had to go to a commercial.

At some point Kaufman began wrestling women and proclaimed himself “Intergender Wrestling Champion of the World”, taking on an aggressive and ridiculous personality based on the characters invented by professional wrestlers. He offered a $1,000 prize to any woman who could pin him. He employed performance artist Laurie Anderson, a friend of his, in this act for a while.

Kaufman for a time in the 1970s, acting as a sort of “straight man” in a number of his Manhattan and Coney Island performances. One of these performances included getting on a ride that people stand in and get spun around. After everyone was strapped in, Kaufman would start saying how he did not want to be on the ride in a panicked tone and eventually cry.

Kaufman never married. His daughter, Maria Bellu-Colonna (born 1969), was the child of an out-of-wedlock relationship with a high-school girlfriend and was placed for adoption. Bellu-Colonna learned in 1992 that she was Kaufman’s daughter when she traced her biological roots by winning a petition of the State of New York for her biological mother’s surname. She soon reunited with her mother, grandfather, uncle, and aunt. Bellu-Colonna’s daughter, Brittany, briefly appeared in Man on the Moon, playing Kaufman’s sister Carol as a young child.
In December 1969, Kaufman learned Transcendental Meditation at college. According to a BBC article, he used the technique “to build confidence and take his act to comedy clubs”. For the rest of his life, Kaufman meditated and performed yoga three hours a day. From February to June 1971, he trained as a teacher of transcendental meditation in Majorca, Spain.
Lynne Margulies, who met Kaufman during the filming of My Breakfast with Blassie, was in a relationship with Kaufman from 1982 until 1984.

At Thanksgiving dinner on Long Island in November 1983, several family members openly expressed worry about Kaufman’s persistent coughing. He claimed that he had been coughing for nearly a month, visited his doctor, and been told that nothing was wrong. When he returned to Los Angeles, he consulted another physician, and then checked himself into Cedars-Sinai Medical Center for a series of medical tests. A few days later, he was diagnosed with large-cell carcinoma, a rare type of lung cancer.

After audiences were shocked by his gaunt appearance during January 1984 performances, Kaufman acknowledged that he had an unspecified illness that he hoped to cure with natural medicine, including a diet of all fruits and vegetables, among other measures. Kaufman received palliative radiotherapy, but by then the cancer had spread from his lungs to his brain. His final public appearance was at the premiere of My Breakfast With Blassie in March 1984, where he appeared thin and sported a mohawk (radiation treatments made his hair fall out). The following day, he and Lynne Margulies flew to Baguio, Philippines, where as a last resort, Kaufman received treatments of a pseudoscientific procedure called psychic surgery.
Kaufman died at Cedars-Sinai Medical Center in Los Angeles on May 16, 1984, at the age of 35.

Kaufman often spoke of faking his own death as a grand hoax, with rumors persisting, often fueled by sporadic appearances of Kaufman’s character Tony Clifton at comedy clubs after his death. Kaufman’s official website describes the faked death story as an “urban legend” and includes a picture of his death certificate.
“Clifton” performed a year after Kaufman’s death at The Comedy Store benefit in Kaufman’s honor, with members of his entourage in attendance, and during the 1990s made several appearances at Los Angeles nightclubs. Jim Carrey, who portrayed Kaufman in Man on the Moon, stated on the NBC special Comedy Salute to Andy Kaufman that the person doing the Clifton character was Bob Zmuda.
In 2013, responding to rumors following the appearance of an actress who claimed to be Kaufman’s daughter and that he was still alive, Los Angeles County Coroner’s office re-released Kaufman’s death certificate to confirm he was indeed deceased and buried at Beth David Cemetery.
In 2014, Zmuda and Lynne Margulies, Kaufman’s girlfriend at the time of his death, co authored Andy Kaufman: The Truth, Finally, a book claiming that Kaufman’s death was indeed a prank, and that he would soon be revealing himself, as his upper limit on the “prank” was 30 years.

Check him out(or not):

Sources: Wikipedia, YouTube, interweb, poetpas

Featuring: Laurel & Hardy

Nothing amuses and amazes me more than one of the best comic couples of all times, Laurel & Hardy. These great kind souls brought me so much joy and laughter and inspiration over the years, and still do. For me they are the ultimate and perfect yin and yang of comedy.

Laurel and Hardy were a comedy duo act during the early Classical Hollywood era of American cinema. The team was composed of Englishman Stan Laurel and American Oliver Hardy. They became well known during the late 1920s to the mid-1940s for their slapstick comedy, with Laurel playing the clumsy and childlike friend of the pompous bully Hardy.

Prior to emerging as a team, both actors had well-established film careers. Laurel had appeared in over 50 films as an actor (while also working as a writer and director), while Hardy had been in more than 250 productions. The two comedians had previously worked together as cast members on the film The Lucky Dog in 1921. However, they were not a comedy team at that time and it was not until 1926 that they appeared in a short movie together, when both separately signed contracts with the Hal Roach film studio. Laurel and Hardy officially became a team in 1927 when they appeared together in the silent short film Putting Pants on Philip. They remained with the Roach studio until 1940 and then appeared in eight comedies for 20th Century Fox and Metro-Goldwyn-Mayer from 1941 to 1945. After finishing their movie commitments at the end of 1944, they concentrated on performing in stage shows and embarked on a music hall tour of England, Ireland, and Scotland. They made their last film in 1950, a French-Italian co-production called Atoll K. They appeared as a team in 107 films, starring in 32 short silent films, 40 short sound films, and 23 full-length feature films.

Stan Laurel

Stan Laurel (June 16, 1890 – February 23, 1965) was born Arthur Stanley Jefferson in Ulverston, Lancashire, England into a theatrical family. His father was a theatrical entrepreneur and theatre owner in northern England and Scotland who, with his wife, was a major force in the industry. In 1905, the Jefferson family moved to Glasgow to be closer to their business mainstay of the Metropole Theatre, and Laurel made his stage debut in a Glasgow hall called the Britannia Panopticon one month short of his 16th birthday. His father secured Laurel his first acting job with the juvenile theatrical company of Levy and Cardwell, which specialized in Christmas pantomimes. In 1909, Laurel was employed by Britain’s leading comedy impresario Fred Karno as a supporting actor, and as an understudy for Charlie Chaplin. Laurel said of Karno, “There was no one like him. He had no equal. His name was box-office.”
In 1912, Laurel left England with the Fred Karno Troupe to tour the United States. Laurel had expected the tour to be merely a pleasant interval before returning to London; however, he decided to remain in the U.S. In 1917, Laurel was teamed with Mae Dahlberg as a double act for stage and film; they were living as common law husband and wife. The same year, Laurel made his film debut with Dahlberg in Nuts in May. While working with Mae, he began using the name “Stan Laurel” and changed his name legally in 1931. Dahlberg demanded roles in his films, and her tempestuous nature made her difficult to work with. Dressing room arguments were common between the two; it was reported that producer Joe Rock paid her to leave Laurel and to return to her native Australia. In 1925, Laurel joined the Hal Roach film studio as a director and writer. From May 1925 until September 1926, he received credit in at least 22 films. Laurel appeared in over 50 films for various producers before teaming up with Hardy. Prior to that, he experienced only modest success. It was difficult for producers, writers, and directors to write for his character, with American audiences knowing him either as a “nutty burglar” or as a Charlie Chaplin imitator.

Oliver Hardy

Oliver Hardy (January 18, 1892 – August 7, 1957) was born Norvell Hardy in Harlem, Georgia. By his late teens, Hardy was a popular stage singer and he operated a movie house in Milledgeville, Georgia, the Palace Theater, financed in part by his mother. For his stage name he took his father’s first name, calling himself “Oliver Norvell Hardy”, while offscreen his nicknames were “Ollie” and “Babe”. The nickname “Babe” originated from an Italian barber near the Lubin Studios in Jacksonville, Florida, who would rub Hardy’s face with talcum powder and say “That’s nice-a baby!” Other actors in the Lubin company mimicked this, and Hardy was billed as “Babe Hardy” in his early films.
Seeing film comedies inspired him to take up comedy himself and, in 1913, he began working with Lubin Motion Pictures in Jacksonville. He started by helping around the studio with lights, props, and other duties, gradually learning the craft as a script-clerk for the company. It was around this time that Hardy married his first wife, Madelyn Salosihn. In 1914, Hardy was billed as “Babe Hardy” in his first film, Outwitting Dad. Between 1914 and 1916 Hardy made 177 shorts as Babe with the Vim Comedy Company, which were released up to the end of 1917. Exhibiting versatility in playing heroes, villains and even female characters, Hardy was in demand for roles as a supporting actor, comic villain or second banana. For 10 years he memorably assisted star comic and Charlie Chaplin imitator Billy West, Jimmy Aubrey, Larry Semon, and Charley Chase. In total, Hardy starred or co-starred in more than 250 silent shorts, of which roughly 150 have been lost. He was rejected for enlistment by the Army during World War I due to his size. In 1917, after the collapse of the Florida film industry, Hardy and his wife Madelyn moved to California to seek new opportunities.

Laurel and Hardy

Hal Roach has described how the two actors came together as a team. First, Hardy had already been working for Roach when Roach hired Laurel, whom he had seen in vaudeville. Laurel had very light blue eyes, and Roach discovered that, due to the technology of film at that time, Laurel’s eyes wouldn’t photograph properly — blue photographed as white. This problem is apparent in their first silent film together, The Lucky Dog, in which an attempt was made to compensate for the problem by making-up Laurel’s eyes very heavily. For about a year, Roach had Laurel work at the studio as a writer. Then panchromatic film was developed, they did a test for Laurel, and found that the problem was solved. Laurel and Hardy were then put together in a film, and the two seemed to complement each other. Usually comedy teams were composed of a straight man and a funny man, but these two were both comedians; however, they both knew how to play the straight man when the script needed it. Roach said, “You could always cut to a close-up of either one, and their reaction was good for another laugh.”

The humor of Laurel and Hardy was highly visual, with slapstick used for emphasis. They often had physical arguments with each other (in character), which were quite complex and involved cartoon violence, and their characters precluded them from making any real progress in the simplest endeavors. Much of their comedy involves milking a joke, where a simple idea provides a basis from which to build multiple gags without following a defined narrative.
Stan Laurel was of average height and weight, but appeared small and slight next to Oliver Hardy, who was 6 ft 1 in (185 cm) tall and weighed about 280 lb (127 kg) in his prime. Details of their hair and clothing were used to enhance this natural contrast. Laurel kept his hair short on the sides and back, growing it long on top to create a natural “fright wig”. At times of shock, he would simultaneously cry while pulling up his hair. In contrast, Hardy’s thinning hair was pasted on his forehead in spit curls and he sported a toothbrush moustache. To achieve a flat-footed walk, Laurel removed the heels from his shoes. Both wore bowler hats, with Laurel’s being narrower than Hardy’s, and with a flattened brim. The characters’ normal attire called for wing collar shirts, with Hardy wearing a neck tie which he would twiddle and Laurel a bow tie. Hardy’s sports jacket was a tad small and done up with one straining button, whereas Laurel’s double-breasted jacket was loose fitting.
A popular routine the team performed was a “tit-for-tat” fight with an adversary. This could be with their wives—often played by Mae Busch, Anita Garvin, or Daphne Pollard—or with a neighbor, often played by Charlie Hall or James Finlayson. Laurel and Hardy would accidentally damage someone’s property, and the injured party would retaliate by ruining something belonging to Laurel or Hardy. After calmly surveying the damage, they would find something else to vandalize, and the conflict would escalate until both sides were simultaneously destroying items in front of each other. An early example of the routine occurs in their classic short Big Business (1929), which was added to the National Film Registry in 1992. Another short film which revolves around such an altercation was titled Tit for Tat (1935).
One of their best-remembered dialogues was the “Tell me that again” routine. Laurel would tell Hardy a genuinely smart idea he came up with, and Hardy would reply, “Tell me that again.” Laurel would attempt to repeat the idea, but, having forgotten it, babble utter nonsense. Hardy, who had difficulty understanding Laurel’s idea when expressed clearly, would understand the jumbled version perfectly. While much of their comedy remained visual, various lines of humorous dialogue appeared in Laurel and Hardy’s talking films. Some examples include:
“You can lead a horse to water but a pencil must be led.”
“I was dreaming I was awake but I woke up and found meself asleep.”
“A lot of weather we’ve been having lately.”

In some cases, their comedy bordered on the surreal, in a style that Stan Laurel called “white magic”. For example, in the 1937 film Way Out West, Laurel clenches his fist and pours tobacco into it as if it were a pipe. He then flicks his thumb upward as if working a lighter. His thumb ignites and he matter-of-factly lights his “pipe”. Amazed at seeing this, Hardy unsuccessfully attempts to duplicate it throughout the film. Much later he finally succeeds, only to be terrified when his thumb catches fire. Laurel repeats the pipe joke in the 1938 film Block-Heads, again to Hardy’s bemusement. This time, the joke ends when a match Laurel was using relights itself, Hardy throws it into the fireplace, and it explodes with a loud bang.
Rather than showing Hardy suffering the pain of misfortunes, such as falling down stairs or being beaten by a thug, banging and crashing sound effects were often used so the audience could visualize the scene themselves. The 1927 film Sailors Beware was a significant film for Hardy because two of his enduring trademarks were developed. The first was his “tie twiddle” to demonstrate embarrassment. Hardy, while acting, had received a pail of water in the face. He said, “I had been expecting it, but I didn’t expect it at that particular moment. It threw me mentally and I couldn’t think what to do next, so I waved the tie in a kind of tiddly-widdly fashion to show embarrassment while trying to look friendly.” His second trademark was the “camera look”, in which he breaks the fourth wall. Hardy said: “I had to become exasperated so I just stared right into the camera and registered my disgust.” Offscreen, Laurel and Hardy were quite the opposite of their movie characters: Laurel was the industrious “idea man”, while Hardy was more easygoing.

The catchphrase most used by Laurel and Hardy on film is: “Well, here’s another nice mess you’ve gotten me into!” In popular culture the catchphrase is often misquoted as “Well, here’s another fine mess you’ve gotten me into.” The misquoted version of the phrase was never used by Hardy and the misunderstanding stems from the title of their film Another Fine Mess. Numerous variations of the quote appeared on film. For example, in Chickens Come Home Ollie says impatiently to Stan “Well. … ” with Stan replying, “Here’s another nice mess I’ve gotten you into.” The films Thicker than Water and The Fixer-Uppers use the phrase “Well, here’s another nice kettle of fish you pickled me in!” In Saps at Sea the phrase becomes “Well, here’s another nice bucket of suds you’ve gotten me into!” The catchphrase is used in its original form in the duo’s 1951 film Atoll K, where it fittingly serves as the final line of dialogue in what is the final Laurel and Hardy film. Most times, after Hardy said that phrase, Laurel would start to cry, exclaiming “Well, I couldn’t help it…” and begin to whimper while speaking gibberish. Another regular catchphrase, cried out by Ollie in moments of distress or frustration, as Stan stands helplessly by, is “Why don’t you do something to help me?”

The first feature film starring Laurel and Hardy was Pardon Us from 1931. The following year The Music Box, whose plot revolved around the pair pushing a piano up a long flight of steps,won an Academy Award for Best Live Action Short Subject. While many enthusiasts claim the superiority of The Music Box, their 1929 silent film Big Business is by far the most consistently acclaimed. The plot of this film sees Laurel and Hardy as Christmas tree salesmen involved in a classic tit-for-tat battle with a character played by James Finlayson that eventually destroys his house and their car. Big Business was added to the National Film Registry in the United States as a national treasure in 1992. The film Sons of the Desert from 1933 is often claimed to be Laurel and Hardy’s best feature-length film. The 1934 film Babes in Toyland remains a perennial on American television during the Christmas season. When interviewed Hal Roach spoke scathingly about the film and Laurel’s behavior during the production. Laurel was unhappy with the plot, and after an argument was allowed to make the film his way. The rift damaged Roach-Laurel relations to the point that Roach said that after Toyland, he no longer wished to produce Laurel and Hardy films. Nevertheless, their association continued for another six years. Hoping for greater artistic freedom, Laurel and Hardy split with Roach. Laurel and Hardy signed with 20th Century-Fox in 1941 and Metro-Goldwyn-Mayer in 1942. However, the working conditions were now completely different as they were simply hired actors, relegated to both studios’ B-film units, and were initially not allowed to contribute to the scripts or improvise, as they had always done. In 1950–51, Laurel and Hardy made their final feature-length film together, Atoll K.

Following the making of Atoll K, Laurel and Hardy took some months off to deal with health issues. Upon their return to the European stage in 1952, they undertook a well-received series of public appearances, performing a short sketch Laurel had written called “A Spot of Trouble”. Hoping to repeat the success the following year Laurel wrote a routine entitled “Birds of a Feather”. On September 9, 1953, their boat arrived in Cobh in the Republic of Ireland. Laurel recounted their reception:
The love and affection we found that day at Cobh was simply unbelievable. There were hundreds of boats blowing whistles and mobs and mobs of people screaming on the docks. We just couldn’t understand what it was all about. And then something happened that I can never forget. All the church bells in Cobh started to ring out our theme song “Dance of the Cuckoos” and Babe (Oliver Hardy) looked at me and we cried. I’ll never forget that day. Never.

In 1956, while following his doctor’s orders to improve his health due to a heart condition, Hardy lost over 100 pounds (45 kg; 7.1 st), nonetheless suffering several strokes resulting in reduced mobility and speech. Despite his long and successful career, Hardy’s home was sold to help cover the cost of his medical expenses. He died of a stroke on August 7, 1957, and longtime friend Bob Chatterton said Hardy weighed just 138 pounds (63 kg; 9.9 st) at the time of his death.

For the remaining eight years of his life, Stan Laurel refused to perform and even turned down Stanley Kramer’s offer of a cameo in his landmark 1963 movie It’s a Mad, Mad, Mad, Mad World. In 1960, Laurel was given a special Academy Award for his contributions to film comedy but was unable to attend the ceremony, due to poor health, and actor Danny Kaye accepted the award for him. Despite not appearing on screen after Hardy’s death, Laurel did contribute gags to several comedy filmmakers. During this period most of his communication was in the form of written correspondence and he insisted on personally answering every fan letter.
Laurel lived until 1965 and survived to see the duo’s work rediscovered through television and classic film revivals. He died on February 23 in Santa Monica and is buried at Forest Lawn-Hollywood Hills in Los Angeles, California.

As for music the duo’s famous signature tune, known variously as “The Cuckoo Song”, “Ku-Ku” or “The Dance of the Cuckoos”, was composed by Roach musical director Marvin Hatley as the on-the-hour chime for the Roach studio radio station. Laurel heard the tune on the station and asked Hatley if they could use it as the Laurel and Hardy theme song. The original theme, recorded by two clarinets in 1930, was recorded again with a full orchestra in 1935. Leroy Shield composed the majority of the music used in the Laurel and Hardy short sound films. A compilation of songs from their films, titled Trail of the Lonesome Pine, was released in 1975. The title track was released as a single in the UK and reached #2 in the charts.

Laurel and Hardy’s influence over a very broad range of comedy and other genres has been considerable. Lou Costello of the famed duo of Abbott and Costello, stated “They were the funniest comedy duo of all time”, adding “Most critics and film scholars throughout the years have agreed with this assessment.” Writers, artists and performers as diverse as Samuel Beckett, Jerry Lewis, Peter Sellers, Steve Martin, John Cleese,and Kurt Vonnegut amongst many others, have acknowledged an artistic debt. Starting in the 1960s, the exposure on television of (especially) their short films has ensured a continued influence on generations of comedians.

Since the 1930s, the works of Laurel and Hardy have been released again in numerous theatrical reissues, television revivals (broadcast, especially public television and cable), 16 mm and 8 mm home movies, feature-film compilations and home video. Numerous colorized versions of copyright-free Laurel and Hardy features and shorts have been reproduced by a multitude of production studios. Although the results of adding color were often in dispute, many popular titles are currently only available in the colorized version. The color process often affects the sharpness of the image, with some scenes being altered or deleted, depending on the source material used. Their film Helpmates was the first film to undergo the process and was released by Colorization Inc., a subsidiary of Hal Roach Studios, in 1983. Colorization was a success for the studio and Helpmates was released on home video with the colorized version of The Music Box in 1986.

There are three Laurel and Hardy museums. One is in Laurel’s birthplace, Ulverston, United Kingdom, where I have been and another one is in Hardy’s birthplace, Harlem, Georgia.The third one is located in Solingen, Germany.

In 2018 a film was made about their lives called Stan & Ollie, a biographical comedy-drama based on the later years of their lives. The film stars Steve Coogan and John C. Reilly as Stan Laurel and Oliver Hardy.
The film focuses on details of the comedy duo’s personal relationship while relating how they embarked on a grueling music hall tour of the United Kingdom and Ireland during 1953 and struggled to get another film made.

I often watch Laurel & Hardy on dvd as they’re not much on tv anymore. Sadly, broadcasters seem to think now everything has to be fast and flashy…
I am glad I grew up with their revival in the seventies and eighties and gladly look back to the times after school watching them tv, laughing my head off.

Check them out (or not):

Sources: Wikipedia, YouTube, interweb, poetpas

Featuring: Robin Williams

In light of his 69th birthday this week I shall be featuring one of my most favorite comedians on screen. He often made me laugh out loud at times with his impersonations of various characters on tv shows and movies not to forget. He’s been an uplifting spirit for me over the years; he moves me, up and down and in all other directions and ways…

I wrote a poem about him which I will add at the end. Check him out (or not):

Robin McLaurin Williams (July 21, 1951 – August 11, 2014) was an American actor and comedian. He is often regarded by critics as one of the best comedians of all time. He was known for his improvisation skills, and the wide variety of memorable voices that he created. He began performing stand-up comedy in San Francisco and Los Angeles during the mid-1970s, and rose to fame for playing the alien Mork in the sitcom Mork & Mindy (1978–1982).
After his first starring film role in Popeye (1980), Williams starred in several critically and commercially successful films including The World According to Garp (1982), Moscow on the Hudson (1984), Good Morning, Vietnam (1987), Dead Poets Society (1989), Awakenings (1990), The Fisher King (1991), Patch Adams (1998), One Hour Photo (2002), and World’s Greatest Dad (2009). He also starred in box office hits such as Hook (1991), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), The Birdcage (1996), Good Will Hunting (1997), and the Night at the Museum trilogy (2006–2014). He was nominated for four Academy Awards, winning Best Supporting Actor for Good Will Hunting. He also received two Primetime Emmy Awards, six Golden Globe Awards, two Screen Actors Guild Awards, and four Grammy Awards.
In August 2014, at age 63, Williams committed suicide by hanging at his home in Paradise Cay, California. His widow, Susan Schneider Williams—as well as medical experts and the autopsy—attributed his suicide to his struggle with Lewy body disease.

Robin McLaurin Williams was born at St. Luke’s Hospital in Chicago, Illinois, on July 21, 1951. His father was a senior executive in Ford’s Lincoln-Mercury Division. His mother was a former model and Williams credited her as an important early influence on his humor, and he tried to make her laugh to gain attention.
When Williams attended public elementary school he described himself as a quiet child who did not overcome his shyness until he became involved with his high school drama department. His friends recall him as very funny.
As both his parents worked, Williams was partially raised by the family’s maid, who was his main companion. Williams attended Redwood High School in nearby Larkspur. At the time of his graduation in 1969, he was voted “Most Likely Not to Succeed” and “Funniest” by his classmates. After high school graduation, Williams enrolled at Claremont Men’s College in Claremont, California, to study political science; he dropped out to pursue acting. Williams studied theatre for three years at the College of Marin. According to adrama professor, the depth of the young actor’s talent became evident when he was cast in the musical Oliver! as Fagin. Williams often improvised during his time in the drama program, leaving cast members in hysterics.
In 1973, Williams attained a full scholarship to the Juilliard School in New York City. He was one of 20 students accepted into the freshman class, and he and Christopher Reeve were the only two accepted by John Houseman into the Advanced Program at the school that year. William Hurt and Mandy Patinkin were also classmates. Reeve remembered his first impression of Williams when they were new students at Juilliard: “He wore tie-dyed shirts with tracksuit bottoms and talked a mile a minute. I’d never seen so much energy contained in one person. He was like an untied balloon that had been inflated and immediately released. I watched in awe as he virtually caromed off the walls of the classrooms and hallways. To say that he was ‘on’ would be a major understatement.”
Williams left Juilliard during his junior year in 1976 at the suggestion of Houseman, who said there was nothing more Juilliard could teach him. Gerald Freedman, another of his teachers at Juilliard, said Williams was a “genius” and that the school’s conservative and classical style of training did not suit him; no one was surprised that he left.

Williams began performing stand-up comedy in the San Francisco Bay Area in 1976. He gave his first performance at the Holy City Zoo, a comedy club in San Francisco, where he worked his way up from tending bar. In the 1960s, San Francisco was a center for a rock music renaissance, hippies, drugs, and a sexual revolution, and in the late 1970s, Williams helped lead its “comedy renaissance”, writes critic Gerald Nachman. Williams says he found out about “drugs and happiness” during that period, adding that he saw “the best brains of my time turned to mud.”
Williams moved to Los Angeles and continued performing stand-up at clubs including The Comedy Store. Williams said that partly due to the stress of performing stand-up, he started using drugs and alcohol early in his career. He further said that he neither drank nor took drugs while on stage, but occasionally performed when hung over from the previous day. During the period he was using cocaine, he said it made him paranoid when performing on stage.

Williams once described the life of stand-up comedians:
It’s a brutal field, man. They burn out. It takes its toll. Plus, the lifestyle—partying, drinking, drugs. If you’re on the road, it’s even more brutal. You gotta come back down to mellow your ass out, and then performing takes you back up. They flame out because it comes and goes. Suddenly they’re hot, and then somebody else is hot. Sometimes they get very bitter. Sometimes they just give up. Sometimes they have a revival thing and they come back again. Sometimes they snap. The pressure kicks in. You become obsessed and then you lose that focus that you need. Williams felt secure that he would not run out of ideas, as the constant change in world events would keep him supplied. He also explained that he often used free association of ideas while improvising in order to keep the audience interested.

During an interview in 1992, Williams was asked whether he ever feared losing his balance between his work and his life. He replied, “There’s that fear—if I felt like I was becoming not just dull but a rock, that I still couldn’t speak, fire off or talk about things, if I’d start to worry or got too afraid to say something. … If I stop trying, I get afraid.” While he attributed the recent suicide of novelist Jerzy Kosiński to his fear of losing his creativity and sharpness, Williams felt he could overcome those risks. For that, he credited his father for strengthening his self-confidence, telling him to never be afraid of talking about subjects which were important to him.

After the Laugh-In revival and appearing in the cast of The Richard Pryor Show on NBC, Williams was cast by Garry Marshall as the alien Mork in a 1978 episode of the TV series Happy Days, “My Favorite Orkan”. Sought after as a last-minute cast replacement for a departing actor, Williams impressed the producer with his quirky sense of humor when he sat on his head when asked to take a seat for the audition. As Mork, Williams improvised much of his dialogue and physical comedy, speaking in a high, nasal voice. The cast and crew, as well as TV network executives were deeply impressed with his performance.
Mork’s appearance proved so popular with viewers that it led to the spin-off television sitcom Mork & Mindy, which co-starred Pam Dawber, and ran from 1978 to 1982; the show was written to accommodate his extreme improvisations in dialog and behavior. Although he portrayed the same character as in Happy Days, the series was set in the present in Boulder, Colorado, instead of the late 1950s in Milwaukee. Mork & Mindy at its peak had a weekly audience of sixty million and was credited with turning Williams into a “superstar”. Mork became popular, featured on posters, coloring books, lunch-boxes, and other merchandise. Mork & Mindy was such a success in its first season that Williams appeared on the March 12, 1979, cover of Time magazine.

His first starring film performance is as the title character in Popeye (1980), in which Williams showcased the acting skills previously demonstrated in his television work; accordingly, the film’s commercial disappointment was not blamed on his performance. He went on to star as the leading character in The World According to Garp (1982), which Williams considered “may have lacked a certain madness onscreen, but it had a great core.

His first major break came from his starring role in director Barry Levinson’s Good Morning, Vietnam (1987), which earned Williams a nomination for the Academy Award for Best Actor.[62] The film is set in 1965 during the Vietnam War, with Williams playing the role of Adrian Cronauer, a radio shock jock who keeps the troops entertained with comedy and sarcasm. Williams was allowed to play the role without a script, improvising most of his lines. Over the microphone, he created voice impressions of people, including Walter Cronkite, Gomer Pyle, Elvis Presley, Mr. Ed, and Richard Nixon. “We just let the cameras roll,” said producer Mark Johnson, and Williams “managed to create something new for every single take”.

In 1989, Williams played a private-school English teacher in Dead Poets Society, which included a final, emotional scene that some critics said “inspired a generation” and became a part of pop culture. Similarly, his performance as a therapist in Good Will Hunting (1997) deeply affected even some real therapists. In Awakenings (1990), Williams plays a doctor modeled after Oliver Sacks, who wrote the book on which the film is based. Sacks later said the way the actor’s mind worked was a “form of genius”. In 1991, he played an adult Peter Pan in the film Hook, although he had said he would have to lose 25 pounds for the role. Terry Gilliam, who co-founded Monty Python and directed Williams in two of his films, The Fisher King (1991) and The Adventures of Baron Munchausen (1988), said in 1992 that Williams had the ability to “go from manic to mad to tender and vulnerable … [Williams had] the most unique mind on the planet. There’s nobody like him out there.”
Other performances Williams had in dramatic films include Moscow on the Hudson (1984), Awakenings (1990), What Dreams May Come (1998), and Bicentennial Man (1999).[89] In Insomnia (2002), Williams portrays a writer/killer on the run from a sleep-deprived Los Angeles policeman (played by Al Pacino) in rural Alaska.

His roles in comedy and dramatic films garnered Williams several accolades, including an Academy Award for Best Supporting Actor for his role in Good Will Hunting as well as two previous Academy Award nominations, for Dead Poets Society, and as a troubled homeless man in The Fisher King, respectively.
Among the actors who helped him during his acting career, he credited Robert De Niro, from whom he learned the power of silence and economy of dialogue when acting. From Dustin Hoffman, with whom he co-starred in Hook, he learned to take on totally different character types, and to transform his characters by extreme preparation. Mike Medavoy, producer of Hook, told its director, Steven Spielberg, that he intentionally teamed up Hoffman and Williams for the film because he knew they wanted to work together, and that Williams welcomed the opportunity of working with Spielberg. Williams benefited from working with Woody Allen, who directed him and Billy Crystal in Deconstructing Harry (1997), as Allen had knowledge of the fact that Crystal and Williams had often performed together on stage.

Williams voiced characters in several animated films. His voice role as the Genie in the animated musical Aladdin (1992) was written for him. The film’s directors said they had taken a risk by writing the role. At first, Williams refused the role since it was a Disney movie, and he did not want the studio profiting by selling merchandise based on the movie. He accepted the role with certain conditions: “I’m doing it basically because I want to be part of this animation tradition. I want something for my children. One deal is, I just don’t want to sell anything—as in Burger King, as in toys, as in stuff.” Williams improvised much of his dialogue, recording approximately 30 hours of tape, and impersonated dozens of celebrities, including Ed Sullivan, Jack Nicholson, Robert De Niro, Groucho Marx, Rodney Dangerfield, William F. Buckley, Peter Lorre, Arnold Schwarzenegger, and Arsenio Hall. His role in Aladdin became one of his most recognized and best-loved, and the film was the highest-grossing of 1992; it won numerous awards, including a Golden Globe for Williams. His performance led the way for other animated films to incorporate actors with more star power. He was named a Disney Legend in 2009.

Williams married his first wife, Valerie Velardi, in June 1978. Their son Zachary Pym “Zak” Williams was born in 1983. Velardi and Williams were divorced in 1988.
In 1989, Williams married Garces, who was six months pregnant with his child. They had two children, Zelda Rae Williams and Cody Alan Williams. In March 2008, Garces filed for divorce from Williams, citing irreconcilable differences. Their divorce was finalized in 2010. Williams married his third wife, graphic designer Susan Schneider, in 2011.

During the late 1970s and early 1980s, Williams had an addiction to cocaine. He was a casual friend of John Belushi, and the Saturday Night Live comic’s death in 1982 from a drug overdose, which happened the morning after the two had partied together, along with the birth of his own son Zak, prompted him to quit drugs and alcohol: “Was it a wake-up call? Oh yeah, on a huge level. The grand jury helped, too.” Williams later said of Belushi’s death, “It sobered the shit out of me.” Williams turned to exercise and cycling to help alleviate his depression shortly after Belushi’s death; according to bicycle shop owner Tony Tom, Williams said, “cycling saved my life.” In 2003, Williams started drinking again while working on a film in Alaska. In 2006, he checked himself into a substance-abuse rehabilitation center in Newberg, Oregon, saying he was an alcoholic. Years afterward, Williams acknowledged his failure to maintain sobriety, but said he never returned to using cocaine, declaring in a 2010 interview: No. Cocaine—paranoid and impotent, what fun. There was no bit of me thinking, ooh, let’s go back to that. Useless conversations until midnight, waking up at dawn feeling like a vampire on a day pass. No.

In March 2009, he was hospitalized due to heart problems. He postponed his one-man tour for surgery to replace his aortic valve, repair his mitral valve, and correct his irregular heartbeat. His publicist, Mara Buxbaum, commented that he was suffering from severe depression before his death. His wife, Susan Schneider, said that in the period before his death, Williams had been sober, but was diagnosed with early stage Parkinson’s disease, which was information he was “not yet ready to share publicly”. An autopsy revealed that Williams had diffuse Lewy body dementia, which had been diagnosed as Parkinson’s. This may have contributed to his depression. In an essay published in the journal Neurology two years after his death, Schneider revealed that the pathology of Lewy body disease in Williams was described by several doctors as among the worst pathologies they had seen. She described the early symptoms of his disease as beginning in October 2013. Williams’ initial condition included a sudden and prolonged spike in fear and anxiety, stress and insomnia; which worsened in severity to include memory loss, paranoia, and delusions. According to Schneider, “Robin was losing his mind and he was aware of it. He kept saying, ‘I just want to reboot my brain’.

On August 11, 2014, at his home in Paradise Cay, California, Williams committed suicide by hanging. His body was cremated and his ashes were scattered over San Francisco Bay the next day. The final autopsy report, released in November 2014, concluded that he “died of asphyxia due to hanging”. Neither alcohol nor illegal drugs were involved, and prescription drugs present in his body were at therapeutic levels. The report also noted that Williams had been suffering from depression and anxiety. An examination of his brain tissue suggested Williams suffered from “diffuse Lewy body dementia”. Describing the disease as “the terrorist inside my husband’s brain”, his widow Susan Schneider Williams said.

Williams credited comedians including Jonathan Winters, Peter Sellers, Nichols and May, and Lenny Bruce as influences, admiring their ability to attract a more intellectual audience with a higher level of wit. He also liked Jay Leno for his quickness in ad-libbing comedy routines and Sid Caesar, whose acts he felt were “precious”. Jonathan Winters was his “idol” early in life; Williams, aged eight, first saw him on television and paid him homage in interviews throughout his career. Williams was inspired by Winters’ ingenuity, realizing, he said, “that anything is possible, that anything is funny … He gave me the idea that it can be free-form, that you can go in and out of things pretty easily.”
During an interview in London in 2002, Williams told Michael Parkinson that Peter Sellers was an important influence, especially his multi-character roles in Dr. Strangelove, stating, “It doesn’t get better than that.” British comedy actors Dudley Moore and Peter Cook were also among his influences, he told Parkinson.
Williams was also influenced by Richard Pryor’s fearless ability to talk about his personal life on stage, with subjects including his use of drugs and alcohol, and Williams added those kinds of topics during his own performances. By bringing up such personal matters as a form of comedy, he told Parkinson it was “cheaper than therapy” and gave him a way to release his pent-up energy and emotions.

Robin,
my dear pierrot
you made me smile
why did you go

~poetpas

Sources: Wikipedia, YouTube, interweb, poetpas

He’s too perfect

he’s too perfect
too well known
his threads immaculate
and quaintly shown

he’s too perfect
too good looking
his food so healthy
and he’s excellent at cooking

he’s too perfect
too kind to be mean
his house is so neat
almost ocd clean

he’s too perfect
too perfect to match
he dodges all intimacy
and is impossible to catch

Featuring: Yongey Mingyur

Most of us have heard of the Dalai Lama and Tibet. After China took control over Tibet, the 14th Dalai Lama resettled in India as spiritual leader. Through following him and taking an interest in Tibetan Buddhism I learned about another inspiring teacher named Rinpoche Yongey Mingyur.

Mingyur Rinpoche was born in Nepal in 1975. From the age of nine, his father taught him meditation, passing on to him the most essential instructions of the Dzogchen and Mahamudra traditions. At the age of eleven, Mingyur Rinpoche began studies in northern India. Two years later, Mingyur Rinpoche began a traditional three-year retreat. At the age of nineteen he studied the primary topics of the Buddhist academic tradition, including Middle Way philosophy and Buddhist logic.
In June 2011, Mingyur Rinpoche left his monastery in Bodhgaya to begin a period of extended retreat. Rinpoche left in the middle of the night, taking nothing with him, but leaving a farewell letter. He spent four years as a wandering yogi.
During the first few weeks of this retreat, Rinpoche had a near-death experience, likely due to a severe form of botulism. This may have been the result of choosing to eat only the meals that were free and available to him after allowing himself to run out of money. The near-death experience, according to Rinpoche, was one of the most pivotal and transformative experiences of his life. After continuing with his retreat for four years, he later returned to his position as abbot.

Yongey Mingyur is a very amusing little man who brought me much wisdom and insight into meditation and Tibetan buddhism. Through him I have found more inner peace. He was scientifically tested and proven to be the happiest man on the planet. His thoughts on having a “monkey mind” in our brain that tries to control our lives are very interesting and helpful. This man has positively changed my life big time.

Check him out (or not):

Books:

Videos:

Sources: Wikipedia, YouTube, Amazon, interweb, poetpas

Now I’m 64

now that I’m older and lost my hair
I am bald somehow
you stopped sending me a Valentine
no more laughs and now you just whine

tho I don’t go out much and stay at home
you still lock the door
do you still need me, you hardly feed me
now I’m 64

you are older too

and if you say more words
we just may be through

I was so handy, did all the jobs
but you broke everything
you placed my recliner near the fireside
I sat down and me bottom got fried

fell in the garden, I broke my hip
before it began to pour
do you still need me, you hardly feed me
now I’m 64

every summer we went camping near the sea
and in the rain, it was still too dear
we ate chips for tea
no children on our knees
only wasps and flees

write me no letters, don’t give me a sign
I’ll just have a brew
you can’t even hear what I say
I’m hungry here and wasting away

don’t want no answer, but fill out this form
like I asked before
you never need me, I will divorce thee
now I’m 64

~rewrite of When I’m Sixty Four by the Beatles

Love me Tinder

Love me Tinder, love me sweet
Never let me go
You have made my life complete
And I love you so

Love me Tinder, love me true
All my dreams fulfill
For, my darling I love you
And I always will

Love me Tinder, love me dear
Tell me you are mine
I’ll be yours through all the years
‘Till the end of time

Love me Tinder, love me true
All my dreams fulfill…

~rewrite of Love me Tender by Elvis A Presley~

Steam rising

subtle
stringy
strands

of

caffeine
clouds
caress

the

immediate
ideal
interaction

between

tongue and cheek
tantalizing
treasure

whilst

softly
silently
sipping

steam rising