we collect your browsing data
and monitor your stay
we sell it on to companies
that will haunt you every day
hit a rock
he was insulted
by a cock
him in the gob
for being such
Will went back
to his chair
all this fuss
and his cuss
cause his wife
has no hair
left by his wife
he had no friends
he had no life
he was allways on his phone
so he wouldn’t feel alone
he found an ally
in his screen
and a bit of self-esteem
“We chattered and laughed and put the world to rights and shared thoughts sacred, silly and profane. But now the pool is stagnant. It is frothy with scum, clogged with weeds and littered with broken glass, sharp rocks and slimy rubbish. If you don’t watch yourself, with every move you’ll end up being gashed, broken, bruised or contused. Even if you negotiate the sharp rocks you’ll soon feel that too many people have peed in the pool for you to want to swim there any more. The fun is over.”
this lyrical labyrinth
his myth in disguise
fallen to earth
blessed with dark voice
his majestic apparel
and intellectual poise
with androgynous flair
magical star lit
in a theatrical maze
a visual daze
majored in Tom
my musical bomb
was a shy young man
who came up
with a perfect plan
bought a cabin
in the boonies
to keep away
from all the looneys
glued his postbox
shut the blinds
build a fence
and planted mines
he removed himself
and stayed at home
all day in bed
turned his phone off
night and day
and put a sign up:
there’s more money
to be made
it makes the world
we are bound
we shall bleed
as it’s not fresh air
but money that we need
some went to heaven
we all prayed
with the smileys
I look for
when I look
I can make
all things pretty
a noble deed
behind your screen
your virtual battles
throwing them at peers
dykes and queers
from all angles
in all directions
your twisted reflections
prepare for battle!
it’s not too late…
on my screen
I see myself
back at me
‘t must be a blessing
or a curse
by mathematical solutions
and callous calculations
we look the other way
we all agreed
to corporate bloody greed
During my punk days in the good old eighties I stumbled across many bands that influenced my rebellious character and thinking. Amongst them were the Sex Pistols, The Exploited, The Clash, Seven Seconds, GBH, Black Flag and the Dead Kennedys. The latter always left an impression on me, not only for the music but for the critical ethos of frontman Jello Biafra. After a few decades of listening to other music I came across him once again, but now more as a (political) critic rather than a musician. He is perhaps not known to many so I shall feature him in this post.
Eric Reed Boucher (born 1958), better known by his professional name Jello Biafra, is an American singer, musician, and spoken word artist. He is the former lead singer and songwriter for the San Francisco punk rock band Dead Kennedys.
Initially active from 1979 to 1986, Dead Kennedys were known for rapid-fire music topped with Biafra’s sardonic lyrics and biting social commentary, delivered in his “unique quiver of a voice.” When the band broke up in 1986, he took over the influential independent record label Alternative Tentacles, which he had founded in 1979 with Dead Kennedys bandmate East Bay Ray. In a 2000 lawsuit, upheld on appeal in 2003 by the California Supreme Court, Biafra was found liable for breach of contract, fraud and malice in withholding a decade’s worth of royalties from his former bandmates and ordered to pay over $200,000 in compensation and punitive damages; the band subsequently reformed without Biafra. Although now focused primarily on spoken word performances, Biafra has continued as a musician in numerous collaborations. He has also occasionally appeared in cameo roles in films.
Politically, Biafra is a member of the Green Party of the United States and supports various political causes. He ran for the party’s presidential nomination in the 2000 presidential election, finishing a distant second to Ralph Nader. In 1979 he ran for mayor of San Francisco, California. He is a staunch believer in a free society, and utilizes shock value and advocates direct action and pranksterism in the name of political causes. Biafra is known to use absurdist media tactics, in the leftist tradition of the Yippies, to highlight issues of civil rights and social justice.
Born in Boulder, Colorado, Boucher developed an interest in international politics that was encouraged by his parents. An avid news watcher, one of his earliest memories was of the John F. Kennedy assassination. Biafra says he has been a fan of rock music since first hearing it in 1965, when his parents accidentally tuned in to a rock radio station. Boucher ignored his high school guidance counselor’s advice that he spend his adolescence preparing to become a dental hygienist.
He began his career in music in January 1977 as a roadie for the punk rock band The Ravers (who later changed their name to The Nails), soon joining his friend John Greenway in a band called The Healers. The Healers became well known locally for their mainly improvised lyrics and avant garde music. In the autumn of that year, he began attending the University of California, Santa Cruz.
In June 1978, he responded to an advertisement placed in a store by guitarist East Bay Ray, stating; “guitarist wants to form punk band,” and together they formed the Dead Kennedys. He began performing with the band under the stage name Occupant, but soon began to use his current stage name, a combination of the brand name Jell-O and the short-lived African state Biafra. The band’s lyrics were written by Biafra. The lyrics were mostly political in nature and displayed a sardonic, sometimes absurdist, sense of humor despite their serious subject matter. In the tradition of UK anarcho-punk bands like Crass and the Subhumans, the Dead Kennedys were one of the first US punk bands to write politically themed songs. The lyrics Biafra wrote helped popularize the use of humorous lyrics in punk and other types of hard-core music. Biafra cites Joey Ramone as the inspiration for his use of humor in his songs (as well as being the musician who made him interested in punk rock), noting in particular songs by the Ramones such as “Beat on the Brat” and “Now I Wanna Sniff Some Glue”.
Biafra initially attempted to compose music on guitar, but his lack of experience on the instrument and his own admission of being “a fumbler with my hands” led Dead Kennedys bassist Klaus Flouride to suggest that Biafra simply sing the parts he envisioned to the band. Biafra sang his riffs and melodies into a tape recorder, which he brought to the band’s rehearsal and/or recording sessions. This later became a problem when the other members of the Dead Kennedys sued Biafra over royalties and publishing rights. By all accounts, including his own, Biafra is not a conventionally skilled musician, though he and his collaborators (Joey Shithead of D.O.A. in particular) attest that he is a skilled composer and his work, particularly with the Dead Kennedys, is highly respected by punk-oriented critics and fans.
Biafra’s first popular song was the first single by the Dead Kennedys, “California Über Alles.” The song, which spoofed California governor Jerry Brown, was the first of many political songs by the group and Biafra. Not long after, the Dead Kennedys had a second and bigger hit with “Holiday in Cambodia” from their debut album Fresh Fruit for Rotting Vegetables. AllMusic cites this song as “possibly the most successful single of the American hardcore scene” and Biafra counts it as his personal favorite Dead Kennedy’s song. Minor hits from the album included “Kill the Poor” (about potential abuse of the then-new neutron bomb) and a satirical cover of Elvis Presley’s “Viva Las Vegas.” The Dead Kennedys received some controversy in the spring of 1981 over the single “Too Drunk to Fuck.” The song became a hit in Britain, and the BBC feared that it would manage to be a big enough hit to appear among the top 30 songs on the national charts, requiring a mention on Top of the Pops. However, the single peaked at number 31 in the charts.
Later albums also contained memorable songs, but with less popularity than the earlier ones. The EP In God We Trust, Inc. contained the song “Nazi Punks Fuck Off!” as well as “We’ve Got A Bigger Problem Now,” a rewritten version of “California Über Alles” about Ronald Reagan. Punk musician and scholar Vic Bondi considers the latter song to be the song that “defined the lyrical agenda of much of hardcore music, and represented its break with punk”. The band’s most controversial album, Frankenchrist, brought with it the song “MTV Get Off the Air,” which accused MTV of promoting poor quality music and sedating the public. The album also contained a controversial poster by Swiss surrealist artist H. R. Giger entitled Penis Landscape.
The Dead Kennedys toured widely during their career, starting in the late 1970s. They began playing at San Francisco’s Mabuhay Gardens (their home base) and other Bay Area venues, later branching out to shows in southern Californian clubs (most notably the Whisky a Go Go), but eventually they moved to major clubs across the country, including CBGB in New York. Later, they played to larger audiences such as at the 1980 Bay Area Music Award, and headlined the 1983 Rock Against Reagan festival.
On May 7, 1994, punk rock fans who believed Biafra was a “sell out” attacked him at the 924 Gilman Street club in Berkeley, California. Biafra claims that he was attacked by a man nicknamed Cretin, who crashed into him while moshing. The crash injured Biafra’s leg, causing an argument between the two men. During the argument, Cretin pushed Biafra to the floor and five or six friends of Cretin assaulted Biafra while he was down, yelling “Sellout rock star, kick him,” and attempting to pull out his hair. Biafra was later hospitalized with serious injuries. The attack derailed Biafra’s plans for both a Canadian spoken-word tour and an accompanying album, and the production of Pure Chewing Satisfaction was halted. However, Biafra returned to the Gilman club a few months after the incident to perform a spoken-word performance as an act of reconciliation with the club.
Biafra has been a prominent figure of the Californian punk scene and was one of the third generation members of the San Francisco punk community. Many later hardcore bands have cited the Dead Kennedys as a major influence. Hardcore punk author Steven Blush describes Biafra as hardcore’s “biggest star” who was a “powerful presence whose political insurgence and rabid fandom made him the father figure of a burgeoning subculture and a inspirational force who could also be a real prick … Biafra was a visionary, incendiary performer”.
After the Dead Kennedys disbanded, Biafra’s new songs were recorded with other bands, and he released only spoken word albums as solo projects. These collaborations had less popularity than Biafra’s earlier work. However, his song “That’s Progress”, originally recorded with D.O.A. for the album Last Scream of the Missing Neighbors, received considerable exposure when it appeared on the album Rock Against Bush, Vol. 1.
In 1998, three former members of the Dead Kennedys sued Biafra for nonpayment of royalties. The other members of Dead Kennedys alleged that Biafra, in his capacity as the head of Alternative Tentacles records, discovered an accounting error amounting to some $75,000 in unpaid royalties over almost a decade. Rather than informing his bandmates of this mistake, the suit alleged, Biafra knowingly concealed the information until a whistleblower employee at the record label notified the band. According to Biafra, the suit resulted from his refusal to allow one of the band’s most well-known singles, “Holiday in Cambodia”, to be used in a commercial for Levi’s Dockers; Biafra opposes Levi’s because of his belief that they use unfair business practices and sweatshop labor. Biafra maintained that he had never denied them royalties, and that he himself had not even received royalties for re-releases of their albums or “posthumous” live albums which had been licensed to other labels by the Decay Music partnership. Decay Music denied this charge and have posted what they say are his cashed royalty checks, written to his legal name of Eric Boucher. Biafra also complained about the songwriting credits in new reissues and archival live albums of songs, alleging that he was the sole composer of songs that were wrongly credited to the entire band.
In May 2000, a jury found Biafra and Alternative Tentacles liable by not promptly informing his former bandmates of the accounting error and instead withholding the information during subsequent discussions and contractual negotiations. Biafra was ordered to pay $200,000, including $20,000 in punitive damages. After an appeal by Biafra’s lawyers, in June 2003, the California Court of Appeal unanimously upheld all the conditions of the 2000 verdict against Biafra and Alternative Tentacles. Furthermore, the plaintiffs were awarded the rights to most of Dead Kennedys recorded works—which accounted for about half the sales for Alternative Tentacles. Now in control of the Dead Kennedys name, Biafra’s former bandmates went on tour with a new lead vocalist.
As of late 2005, Biafra was performing with the band The Melvins under the name “Jello Biafra and the Melvins”, though fans sometimes refer to them as “The Jelvins.” Together they have released two albums, and worked on material for a third collaborative release, much of which was premiered live at two concerts at the Great American Music Hall in San Francisco during an event called Biafra Five-O, commemorating Biafra’s 50th birthday, the 30th anniversary of the founding of the Dead Kennedys, and the beginning of legalized same-sex marriage in California. Biafra was also working with a band known as Jello Biafra and the Guantanamo School of Medicine.
In June 1979, Biafra co-founded the record label Alternative Tentacles, with which the Dead Kennedys released their first single, “California Über Alles”. The label was created to allow the band to release albums without having to deal with pressure from major labels to change their music, although the major labels were not willing to sign the band due to their songs being deemed too controversial. After dealing with Cherry Red in the UK and IRS Records in the US for their first album Fresh Fruit for Rotting Vegetables, the band released all later albums, and later pressings of Fresh Fruit on Alternative Tentacles. The exception being live albums released after the band’s break-up, which the other band members compiled from recordings in the band partnership’s vaults without Biafra’s input or endorsement. Biafra has been the owner of the company since its founding, though he does not receive a salary for his position; Biafra has referred to his position in the company as “absentee thoughtlord”.
Biafra is an ardent collector of unusual vinyl records of all kinds, from 1950s and 1960s ethno-pop recordings by the likes of Les Baxter and Esquivel to vanity pressings that have circulated regionally, to German crooner Heino (for whom he would later participate in the documentary Heino: Made In Germany); he cites his always growing collection as one of his biggest musical influences.
Biafra became a spoken word artist in January 1986 with a performance at University of California, Los Angeles. In his performance he combined humor with his political beliefs, much in the same way that he did with the lyrics to his songs. Despite his continued spoken word performances, he did not begin recording spoken word albums until after the disbanding of the Dead Kennedys.
His ninth spoken word album, In the Grip of Official Treason, was released in October 2006. Biafra was also featured in the British band Pitchshifter’s song As Seen on TV reciting the words of dystopian futuristic radio advertisements.
Biafra was an anarchist in the 1980s, but has shifted away from his former anti-government views. In a 2012 interview, Biafra said “I’m very pro-tax as long as it goes for the right things. I don’t mind paying more money as long as it’s going to provide shelter for people sleeping in the street or getting the schools fixed back up, getting the infrastructure up to the standards of other countries, including a high speed rail system. I’m totally down with that.”
In 2000, the New York State Green Party drafted Biafra as a candidate for the Green Party presidential nomination, and a few supporters were elected to the party’s nominating convention in Denver, Colorado. Biafra chose death row inmate Mumia Abu-Jamal as his running mate. The party overwhelmingly chose Ralph Nader as the presidential candidate with 295 of the 319 delegate votes. Biafra received 10 votes.
Biafra, along with a camera crew (dubbed by Biafra as “The Camcorder Truth Jihad”), later reported for the Independent Media Center at the Republican and Democratic conventions.
After losing the 2000 nomination, Jello became highly active in Ralph Nader’s presidential campaign, as well as in 2004 and 2008. During the 2008 campaign Jello played at rallies and answered questions for journalists in support of Ralph Nader. When gay rights activists accused Nader of costing Al Gore the 2000 election, Biafra reminded them that Tipper Gore’s Parents Music Resource Center wanted warning stickers on albums with homosexual content.
After Barack Obama won the general election, Jello wrote an open letter making suggestions on how to run his term as president. Biafra criticized Obama during his term, stating that “Obama even won the award for best advertising campaign of 2008.” Biafra dubbed Obama “Barackstar O’Bummer”. Biafra refused to support Obama in 2012. Biafra has stated that he feels that Obama continued many of George W. Bush’s policies, summarizing Obama’s policies as containing “worse and worse laws against human rights and more and more illegal unconstitutional spying.”
On September 18, 2015, it was announced that Jello would be supporting Bernie Sanders in his campaign for the 2016 presidential election. He has strongly criticised the political position of Donald Trump, saying “how can people be so fucking stupid” on hearing the election result, and later adding “The last person we want with their finger on the nuclear button is somebody connected to this extreme Christianist doomsday cult.”
On February 28, 2020, Jello announced that he would be supporting both Elizabeth Warren and Bernie Sanders in the 2020 presidential election. “I personally like Warren slightly better than Bernie because: 1) She’s done her homework. Bernie too, but not to quite the same depth or degree. 2) Think about it — who really has a better chance of actually beating Trump, and helping flip Congress and state legislatures? It’s Elizabeth Warren, hands down.” He went on to say that he considered Joe Biden and Mike Bloomberg “almost as bad as Trump.”
On April 12, 2020, Jello expressed disappointment that Bernie Sanders had suspended his campaign for the 2020 Democratic Nomination.
For me a thinker, a watcher, a critic, debater – people we need on the other side that create political awareness and rebel against the (failed) system…
Check him out(or not):
Sources: Wikipedia, YouTube, interweb, poetpas
To continue my Featuring series I will be featuring nobody less than Rik Mayall.
This comedian had a huge impact on British comedy and did as well on me. Often working with Ade Edmondson he is mostly known for the series The Young Ones and Bottom which I would like to describe as anarchistic slapstick. Rik Mayall’s briljant sense of black humor is right up my street. Sadly, like many others great ones he left our mortal coil too soon…
Richard Michael Mayall (7 March 1958 – 9 June 2014) was an English stand-up comedian, actor and writer. Mayall formed a close partnership with Ade Edmondson while they were students at Manchester University and was a pioneer of alternative comedy in the 1980s.
Mayall starred in numerous cult classic sitcoms throughout his career, including The Young Ones, The Comic Strip Presents…, Blackadder, Filthy Rich & Catflap, The New Statesman, Bottom and Believe Nothing. Mayall also starred in the comedy films Drop Dead Fred and Guest House Paradiso, and won a Primetime Emmy Award for his voice-over work in The Willows in Winter. His comedic style was described as energetic “post-punk”.
Rik Mayall was born on 7 March 1958 at 98 Pittmans Field in Harlow.
He had an older brother, Anthony, and two younger sisters, Libby and Kate. When Mayall was three years old, he and his parents—who taught drama—moved to Droitwich Spa, Worcestershire, where he spent the rest of his childhood and performed in his parents’ plays.
He attended King’s School, Worcester, where he obtained a free scholarship and failed most of his O-levels and scraped through A-levels. In 1975, Mayall went to the University of Manchester to study drama. He has claimed that he failed his degree, or that he did not even turn up to his finals but in reality he graduated with lower second-class honours in 1978. It was there that he met his future comedy partner Ade Edmondson, Ben Elton, a fellow student, and Lise Mayer, with whom he later co-wrote The Young Ones.
Edmondson and Mayall gained their reputation at The Comedy Store, from 1980. Apart from performing in their double act, 20th Century Coyote, Mayall developed solo routines, using characters such as Kevin Turvey and a pompous anarchist poet named Rick. This led to Edmondson and Mayall, along with Comedy Store compere Alexei Sayle and other upcoming comedians, including Nigel Planer, Peter Richardson, French and Saunders, Arnold Brown and Pete Richens, setting up their own comedy club called “The Comic Strip” in the Raymond Revuebar, a strip club in Soho. Mayall’s Kevin Turvey character gained a regular slot in A Kick Up the Eighties, first broadcast in 1981. He appeared as “Rest Home” Ricky in Richard O’Brien’s Shock Treatment, a sequel to The Rocky Horror Picture Show. He played Dentonvale’s resident attendant as the love interest to Nell Campbell’s Nurse Ansalong.
Mayall’s television appearances as Kevin Turvey led to a mockumentary based on the character titled Kevin Turvey – The Man Behind The Green Door, broadcast in 1982. The previous year, he appeared in a bit role in An American Werewolf in London. His stage partnership with Edmondson continued, with them often appearing together as “The Dangerous Brothers”, hapless daredevils whose hyper-violent antics foreshadowed their characters in Bottom. Channel 4 offered the Comic Strip group six short films, which became The Comic Strip Presents…, debuting on 2 November 1982. The series, which continued sporadically for many years, saw Mayall play a wide variety of roles. It was known for anti-establishment humour and for parodies such as Bad News on Tour, a spoof “rockumentary” starring Mayall, Richardson, Edmondson and Planer as a heavy metal band.
At the time The Comic Strip Presents… was negotiated, the BBC took an interest in The Young Ones, a sitcom written by Mayall and his then-girlfriend Lise Mayer, in the same anarchic vein as Comic Strip. Ben Elton joined the writers. The series was commissioned and first broadcast in 1982, shortly before Comic Strip. Mayall played Rick, a pompous sociology student and Cliff Richard devotee. Mayall maintained his double-act with Edmondson, who starred as violent punk Vyvyan. Nigel Planer (as hippie Neil) and Christopher Ryan also starred, with additional material written and performed by Alexei Sayle.
The first series was successful and a second was screened in 1984. The show owed a comic debt to Spike Milligan, but Milligan disapproved of Mayall’s style of performance. Milligan once wrote: “Rik Mayall is putrid – absolutely vile. He thinks nose-picking is funny and farting and all that. He is the arsehole of British comedy.”
In 1986, Mayall played the private detective in the video of “Peter Gunn” by Art of Noise featuring Duane Eddy.
Mayall continued to work on The Comic Strip films. He returned to stand-up comedy, performing on Saturday Live—a British version of the American Saturday Night Live—first broadcast in 1985. He and Edmondson had a regular section as “The Dangerous Brothers”, their earlier stage act. In 1985, Mayall debuted another comic creation. He had appeared in the final episode of the first series of Blackadder as “Mad Gerald”. He returned to play Lord Flashheart in the Blackadder II episode titled “Bells”. A descendant of this character, Squadron Commander Flashheart, was in the Blackadder Goes Forth episode “Private Plane”. In the same episode, he was reunited with Edmondson, who played German flying ace Baron von Richthofen the “Red Baron”, in a scene where he comes to rescue Captain Blackadder from the Germans. A decade later, Mayall also appeared in Blackadder: Back & Forth as Robin Hood.
In 1986, Mayall joined Planer, Edmondson and Elton to star as Richie Rich in Filthy Rich & Catflap, which was billed as a follow-up to The Young Ones. The idea of Filthy Rich and Catflap was a reaction to comments made by Jimmy Tarbuck about The Young Ones. The series’ primary focus was to highlight the “has been” status of light entertainment. While Mayall received positive critical reviews, viewing figures were poor and the series was never repeated on the BBC. In later years, release on video, DVD and repeats on UK TV found a following. Mayall suggested that the series did not last because he was uncomfortable acting in an Elton project, when they had been co-writers on The Young Ones. In the same year, Mayall had a No. 1 hit in the UK Singles Chart, when he and his co-stars from The Young Ones teamed with Cliff Richard to record “Living Doll” for the inaugural Comic Relief campaign. Mayall played Rick one last time in the Comic Relief stage-show and supported the Comic Relief cause for the rest of his life. 1987 saw Mayall co-star with Edmondson in one episode of the ITV sitcom Hardwicke House, although adverse reaction from press and viewers saw ITV withdraw the series after two episodes, leaving their appearance unbroadcast. He appeared on the children’s television series Jackanory. His crazed portrayal of Roald Dahl’s George’s Marvellous Medicine proved memorable. However, the BBC received complaints “with viewers claiming both story and presentation to be both dangerous and offensive”.
In 1987, Mayall played fictional Conservative MP Alan Beresford B’Stard in the sitcom The New Statesman written by Laurence Marks and Maurice Gran. The character was a satirical portrait of Tory MPs in the United Kingdom in the 1980s and early 1990s. The programme ran for four series—incorporating two BBC specials—between 1987 and ’94 and was successful critically and in the ratings. In a similar vein to his appearance on Jackanory, in 1989 Mayall starred in a series of bit shows for ITV called Grim Tales, in which he narrated Grimm Brothers fairy tales while puppets acted the stories. In the early 1990s, Mayall starred in humorous adverts for Nintendo games and consoles. With money from the ads, he bought his house in London which he called “Nintendo Towers”.
In 1991, Edmondson and Mayall co-starred in the West End production of Beckett’s Waiting for Godot at the Queen’s Theatre, with Mayall playing Vladimir, Edmondson as Estragon and Christopher Ryan as Lucky. Here they came up with the idea for Bottom, which they said was a cruder cousin to Waiting for Godot. Bottom was commissioned by the BBC and three series were shown between 1991 and 1995. Mayall appeared in Bottom as Richard ‘Richie’ Richard alongside Edmondson’s Eddie Elizabeth Hitler. The series featured slapstick violence taken to new extremes, and gained a strong cult following.
In 1993, following the second series, Mayall and Edmondson decided to take a stage-show version of the series on a national tour, Bottom: Live. It was a commercial success, filling large venues. Four additional stage shows were embarked upon in 1995, 1997, 2001 and 2003, each meeting with great success. The violent nature of these shows saw both Edmondson and Mayall ending up in hospital at various points. A film version, Guest House Paradiso, was released in 1999. A fourth TV series was also written, but not commissioned by the BBC.
Mayall starred alongside Phoebe Cates in Drop Dead Fred (1991) as the eponymous character, a troublesome imaginary friend who reappears from a woman’s childhood. He also appeared in Carry On Columbus (1992) with other alternative comedians. Mayall also provided the voice of the character Froglip, the prince of the goblins, in the 1992 animated film adaption of the 1872 children’s tale The Princess and the Goblin by George MacDonald. In 1993, he appeared in Rik Mayall Presents, six individual comedy dramas (Micky Love / Briefest Encounter / Dancing Queen / The Big One / Dirty Old Town / Clair de Lune). Mayall’s performances won him a Best Comedy Performer award at that year’s British Comedy Awards, and a second series of three was broadcast in early 1995. He provided the voice for Little Sod in Simon Brett’s How to Be a Little Sod, written in 1991 and adapted as ten consecutive episodes broadcast by the BBC in 1995. In the early 1990s, he auditioned for the roles of Banzai, Zazu and Timon in The Lion King (1994); he was asked to audition by lyricist Tim Rice, but the role of Zazu finally went to Rowan Atkinson.
In 1995, Mayall featured in a production of the play Cell Mates alongside Stephen Fry. Not long into the run, Fry had a nervous breakdown and fled to Belgium, where he remained for several days, and the play closed early. In 2007, Mayall said of the incident: “You don’t leave the trenches … selfishness is one thing, being a cunt is another. I mustn’t start that war again.” Edmondson poked fun at the event during their stage tours. In Bottom Live: The Big Number Two Tour, after Mayall gave mocking gestures to the audience and insulted their town in a silly voice, Edmondson said, “Have you finished yet? It’s just I’m beginning to understand why Stephen Fry fucked off.” In Bottom Live 2003: Weapons Grade Y-Fronts Tour, after Richie accidentally fondles Eddie, he replies, “I see why Stephen Fry left that play.” Towards the end of the Cell Mates run, Mayall revealed a replica gun—a prop from the play—to a passer-by in the street. Mayall was cautioned over the incident and later conceded that this was “incredibly stupid, even by my standards”. From 1999, Mayall was the voice of the black-headed seagull Kehaar, in the first and second series of the animated television programme, Watership Down. In the late 1990s Mayall was featured in a number of adverts for Virgin Trains.
In 1998, Mayall was involved in a serious quad bike accident. The pair wrote the first draft of their feature film Guest House Paradiso while Mayall was still hospitalised. They planned to co-direct, but Edmondson took on the duties himself. Mayall returned to work doing voice-overs. His first post-accident acting job was in the 1998 Jonathan Creek Christmas special, as DI Gideon Pryke, a role he later reprised in 2013.
In 2000, Mayall voiced all characters for the PlayStation and Windows PC video game Hogs of War. Also that year, Mayall appeared in the video production of Jesus Christ Superstar as King Herod. He joked in the “making of” documentary, which was included on the DVD release, that “the real reason why millions of people want to come and see this is because I’m in it! Me and Jesus!” In 2001 Mayall acted as Lt Daniel Blaney in the episode “The White Knight Stratagem” from the series “Murder Rooms: The Mysteries of the Real Sherlock Holmes.” In 2002, Mayall teamed up with Marks and Gran once more when he starred as Professor Adonis Cnut in the ITV sitcom, Believe Nothing. However, the sitcom failed to repeat the success of The New Statesman and lasted for only one series.
Persistent speculation amongst critics and fans of the American cartoon comedy television sitcom Family Guy consider that the character Stewie Griffin was closely modelled on Mayall’s performance in the character of ‘Richard Richard’ in Bottom.
Following 2003’s Bottom: Live tour, Bottom 5: Weapons Grade Y-Fronts, Mayall stated that he and Edmondson would return with another tour.
In 2004 Mayall had a starring cameo role playing the record boss in the video short “ABBA: Our Last Video Ever”.
Mayall voiced Edwin in the BBC show Shoebox Zoo. In September 2005, he released an ‘in-character’ semi-fictionalised autobiography titled Bigger than Hitler, Better than Christ. At the same time, he starred in a new series for ITV, All About George. In 2006, Mayall reprised the role of Alan B’Stard in the play The New Statesman 2006: Blair B’stard Project, written by Marks and Gran. By this time B’Stard had left the floundering Conservatives and become a Labour MP. In 2007, following a successful two-month run in London’s West End at the Trafalgar Studios, a heavily re-written version toured theatres nationwide, with Marks and Gran constantly updating the script to keep it topical. However, Mayall succumbed to chronic fatigue and flu in May 2007 and withdrew from the show. Alan B’Stard was played by his understudy, Mike Sherman during his hiatus.
Mayall was cast as the poltergeist Peeves in Harry Potter and the Philosopher’s Stone (2001), the first of the Harry Potter films, although all of his scenes were cut from the film. He had not been made aware that his scenes had been cut until the full film was officially unveiled at the premiere. During filming the children in the cast were unable to suppress their giggles when he was filming and would corpse. Since Mayall’s death there has been an outcry for the release of this footage from his fans. He told the story of this hiring/firing on his second website blog for his film, Evil Calls: The Raven (2008). For Evil Calls, Mayall’s role as Winston the Butler was shot in 2002, when the film was titled Alone in the Dark. The film was not completed until 2008, and was released under its new Evil Calls title, to distance it from the Alone in the Dark computer game film.
Mayall provided the voice of the Andrex puppy in the TV commercials for Andrex toilet paper, and also had a voice part in the Domestos cleaning product adverts. He performed the voice of King Arthur in the children’s television cartoon series, King Arthur’s Disasters, alongside Matt Lucas who plays Merlin. Mayall also had a recurring role in the Channel Five remake of the lighthearted drama series, Minder. He also provided the voice of Cufflingk in the 2005 animated film Valiant.
In September 2009, Mayall played a supporting role in the television programme Midsomer Murders—shown on ITV1 and made by Meridian Broadcasting—as David Roper, a recovering party animal and tenuous friend of the families in and around Chettham Park House.
In April 2010, Motivation Records released Mayall’s England Football anthem “Noble England” for the 2010 FIFA World Cup which he recorded with producer Dave Loughran at Brick Lane Studios in London.The release, on 26 April, was designed to coincide with St George’s Day and the baptism of Shakespeare. On the track, Mayall performs an adapted speech from Shakespeare’s Henry V. In June 2010, the official BBC Match of the Day compilation CD (2010 Edition) was released by Sony/Universal featuring Noble England. After Mayall’s death in 2014, a campaign led by Jon Morter began to get “Noble England” to No. 1 during the 2014 FIFA World Cup. It rapidly climbed the official charts in the United Kingdom and reached no. 7.
In September 2010, an audio book, narrated by Mayall, Cutey and the Sofaguard was released by Digital Download. The book was written by Chris Wade and released by Wisdom Twins Books. In this same month, Mayall played the voice of Roy’s Dad and recorded five episodes of animation. In November, Mayall provided narrative for five different characters for CDs accompanying children’s books published by Clickety Books. The books aid speech and language development by bombarding the child with troublesome sound targets. He recorded introductions and narratives for the titles.
On 5 March 2011, Mayall appeared on Let’s Dance for Comic Relief in which he came on stage and attacked Ade Edmondson with a frying pan during his performance of The Dying Swan ballet. Edmondson mentioned backstage that it was the first time in eight years they had done something like that together and claimed Mayall had left his head with a small bump. It would be the last time the duo performed together in public.
In April 2011, Mayall again revived the character of Alan B’Stard to make an appearance in a satirical television advertisement for the No2AV campaign prior to the 2011 voting reform referendum in the UK. The character is shown being elected under the alternative vote system, then using his newly gained position of power to renege on his campaign promises. In his personal life, Rik Mayall did not support the alternative vote. In May, Mayall became the eponymous ‘Bombardier’ in a TV advertising campaign for Bombardier Bitter in the UK. The adverts landed broadcaster UKTV Dave in trouble with Ofcom when they were found to breach the Ofcom code for linking alcohol with sexual attractiveness or success.
On 23 August 2012, the BBC announced that Edmondson and Mayall’s characters of Richie and Eddie would be returning in 2013 in Hooligan’s Island, a television adaptation of their 1997 tour of the same name. However, on 15 October 2012, Edmondson announced during an interview with BBC radio presenter Mark Powlett that the project was cancelled prior to production as he wished to pursue other interests.
In September 2012, Mayall starred in The Last Hurrah, a six-episode, full-cast audio series that he also co-wrote with Craig Green and Dominic Vince.
In November 2012, Mayall narrated several children’s books on the Me Books app, such as The Getaway and Banana! by children’s illustrator and author Ed Vere.
In October 2013 he appeared in Channel 4 sitcom Man Down, playing the father of the protagonist, Greg Davies—despite being only ten years older.
On 7 May 2014, Mayall made one of his last recorded performances in the form of poetry and voice-overs read on English rock band Magic Eight Ball’s second album ‘Last Of The Old Romantics’ (released on 10 November 2014).
Mayall’s final TV appearance was in the first episode of the second series of Crackanory, which was broadcast posthumously on 24 September 2014 on Dave.
Mayall married Scottish make-up artist Barbara Robbin in 1985, and the couple had three children. The couple met in 1981 while filming A Kick Up the Eighties and embarked on a secret affair. At the time, Mayall was in a long-term relationship with Lise Mayer. Upon discovering that Robbin was pregnant, Mayall left Mayer (who was also pregnant with his child at the time) while on a shopping trip with her and Ben Elton, and eloped with Robbin to Barbados. Mayer would later suffer a miscarriage. In a 2002 newspaper article, Mayall said that Mayer had since forgiven him.
Mayall twice publicly involved himself in political campaigns. In 2002 he dressed up as Adolf Hitler for a cinema advertisement opposing the United Kingdom abolishing its national currency the Pound sterling in favour of the Euro, as a part of its membership of the European Union. In the United Kingdom Alternative Vote Referendum of 2011 he appeared in a television broadcast for the ‘No’ campaign in character as Alan B’Stard to oppose the adoption of an alternative non-proportional electoral system for Westminster Parliamentary elections.
On 9 April 1998, Mayall was injured after crashing a quad bike near his home in Devon. Mayall’s daughter Bonnie and her cousin had asked him to take them for a ride on the bike—a Christmas gift from his wife—but he refused because of bad weather approaching, and he went on out alone. Mayall remembered nothing about the accident. His wife Barbara looked out of the window and saw him lying on the ground trapped beneath the quad, which had turned over on top of him. Mayall later joked that his wife believed he was fooling around and initially left him for a few minutes. He was airlifted to Plymouth’s Derriford Hospital, with two haematomas and a fractured skull. During the following 96 hours, he was kept sedated to prevent movement which could cause pressure on his brain. His family was warned that he could die or have brain damage. He was in a coma for several days. After five days doctors felt it safe to bring him back to consciousness. In a BBC Radio 2 interview in 2000, Mayall said that when filming Guest House Paradiso, Edmondson would make sure he had afternoons free to rest from filming following the accident.
During Mayall’s hospitalisation, The Comic Strip special, Four Men in a Car, was broadcast for the first time. The film involves Mayall’s character being hit by a car. Mayall and Edmondson joked about the event in stage versions of Bottom, Edmondson quipping “If only I’d fixed those brakes properly,” Mayall referring to “quad bike flashbacks”, and Mayall referring to himself: “You must know him, that tosser who fell off the quad bike.” In his 2005 spoof autobiography, Mayall claims that he rose from the dead.
On 9 June 2014, Mayall died at his home in Barnes, Richmond-upon-Thames, London, from a sudden heart attack after jogging. His funeral took place on 19 June 2014 in St. George’s Church in Dittisham, Devon. Among those who attended were Dawn French, Jennifer Saunders, Peter Richardson, Alan Rickman and Mayall’s Young Ones co-stars Adrian Edmondson, Nigel Planer, Alexei Sayle, and Young Ones co-writer Ben Elton. Edmondson also served as a pallbearer.
Mayall was buried on his family estate, Pasture Farm, near Totnes in Devon.
BBC Television director Danny Cohen praised him as a “truly brilliant” comedian with a unique stage presence, whose “fireball creativity” and approach to sitcom had inspired a generation of comedy stars.
“He’s died for real. Without me. Selfish bastard,” AdeEdmondson stated after his passing.
He and his humor is missed by many, including me…
Check him out (or not):
Sources: Wikipedia, YouTube, interweb, poetpas